Posts Filed Under wine books
Here we are again… and by “we” I mean “me,” waxing not-so-poetic about some of the samples that I receive that cannot be imbibed (at least, not without the use of a blender and several thousand dollars in resultant medical bills).
This month, I’ve got two items to recommend, though I do so with slight reservations.
First up, there’s the recently-released 3rd Edition of The Complete Bordeaux: The Wines, The Chateaux, The People (Mitchell Beazley, $75) by the venerable Brit Stephen Brook. Brook (with whom I’ve judged in wine competitions) has thirty-five years of writing experience – and about the same number of published books – to his credit, and if one reads carefully through The Complete Bordeaux, one will be able to tell that he is a master of the English language. At first, his writing style might seem downright reticent; it’s certainly restrained. But as the paragraphs unfold in pages of the detailed profiles of pretty much anything that is of vinous significance in Bordeaux, you come away with the sense that Brook has mastered his subject, and is presenting it in the most concisely efficient prose possible. It helps that he has coverage of the topic that is both wide and deep; Brook has tasted back vintages of just about every Bordeaux house that has ever mattered.
If The Complete Bordeaux suffers from anything, it’s a relative lack of photographs and detailed maps for a tome of this size (over 700 pages) and price. It also suffers from a wine market in which Bordeaux has arguably never been less relevant, at least when it comes to a now-prevalent younger generation of drinkers. That’s hardly Brook’s fault, of course; so if you’re a Bordeaux lover, this is as comprehensive and as valuable a reference as you are likely to find…
Read the rest of this stuff »
Closing out the fourth month of 2017’s spin around the sun here on 1WD means that it’s time for the monthly look at the wine product samples that we can’t drink (at least, not without the use of a blender, and not without probably being rushed to the hospital afterward).
For April, I’ve got only one recommendation, and once again it’s a wine book (because, hey, the market needed more of those, right?): Jennifer Simonetti-Bryan’s Rosé Wine: The Guide to Drinking Pink (Sterling Epicure, 184 pages, about $20).
Full disclosure: I consider Simonetti-Bryan to be like the childhood tomboy friend that I never had, and drink rosé wines all year long (and think that you should, too); so my take on this MW’s latest written release might be a tad biased.
In any case, there’s a lot to like about Rosé Wine, starting with the attractive layout and the hold-it-in-one-hand-while-drinking-a-glass-of-rosé-with-the-other design. This is a book very much geared towards beginners who love rosé, and want to take a deeper dive into it without getting the mental bends. A good portion of the book is devoted to understanding how rosé wine is made, why it’s popular, and what to expect from the various sub-styles on offer in the market (with solid recommendations in each that helpfully include label shots).
Simonetti-Bryan is a bit of a self-professed geek, and it’s nice to see how deftly and entertainingly she weaves that geekiness into the sidebar elements of Rosé Wine. For example, she offers advice on the proper use of the word varietal, facts and figures on moderate alcohol consumption, tidbits on wine region trivia, and results of wine-related scientific studies, all in helpful contexts and in a decidedly non-douchebaggy writing voice.
Is Simonetti-Bryan cashing in on the current market love affair with rosé with this book? Sort of, but that’s a minor cavil to levy against Rosé Wine, particularly when you consider how helpful and entertaining it will be to the novice rosé fan (and when you consider just how little coin wine books net for their authors in general).
In wrapping up March, it’s time for me to round up some of the wine product samples that are sent to me (the kind that usually aren’t physically digestible) for the month. And today, I’d like to highlight two very recent wine book releases that won me over to the point of garnering fairly high recommendations from this normally somewhat-skeptical reader…
First up is Essential Winetasting: The Complete Practical Winetasting Course by Michael Schuster (Mitchell Beazley, about $26). 2017 has us seeing a new edition of this oft-overlooked minor classic, which seems to fly under the radar just enough that ended up being ignored and re-released (in the USA, anyway) regularly over the last fifteen or so years.
Which is a pity, really, because Schuster is a fairly big deal in the UK when it comes to wine know-how, and his time as a retailer and writer are evident throughout nearly every page of Essential Winetasting.
The wit is sandy-British-levels-of-dry, and the true mastery of the book can be found within the first fifty-or-so pages, in which Schuster puts on a masterclass in detailing how our senses interact with wine as a product. If you’re too precious about preserving the mystery of the world’s greatest beverage, then this is decidedly not the reference book for you. But those who like to peel back the covers to see how things tick, and have a serious side to their hobbies, will probably love this book (I cannot speak to improvements over earlier editions, but I’m guessing that most of you reading this, like me, have had little-to-no exposure to those; so I’m advising anyone who doesn’t yet own this give it a good long look).
Next we have the cheekily-named Wine Isn’t Rocket Science: A Quick and Easy Guide to Understanding, Buying, Tasting, and Pairing Every Type of Wine by Ophelie Neiman (Author), Yannis Varoutsikos (Illustrator), (Black Dog & Leventhal, about $25).
It’s not often that an illustrator deserves equal billing with an author in a wine book, but this is one of those rare cases, for the cartoon-ish images throughout Wine Isn’t Rocket Science lend an approachable air to this beginners’ guide.
Where the book’s format really shines is in its middle section, where overviews of popular (and some not-so-popular) wine grapes and styles are presented. The visual aids detailing the grapes’ common aromas and flavors will be instantly appreciated by visual learners; and once you get past the cutesy kitsch of the “Love Rating” given to describe each grape’s popularity, you just may (as I did) find yourself learning something new despite yourself.
I’ve been inundated with wine book samples this month (which I’ll note is November 2016, for posterity’s sake, and for those of you still sobering up from Thanksgiving), both the electronic and the good, old-fashioned dead-tree varieties. And so, I’m going to use this edition of the wine product roundup to give you a little taste of the current wine book scene (all prices noted are for hardcover editions).
Hugh Johnson’s Pocket Wine 2017: 40th Anniversary by Hugh Johnson ($16.99, Mitchell Beazley)
Bottom line: highly recommended.
Every year for the last several years, I’ve received a sample of the latest edition in this series. Every year for the last several years, I think that this insanely useful little gem cannot possibly get any more insanely useful. Every year for the last several years, I have been wrong, and 2016 continues the trend. The high bar that’s been set for this go-to reference book for the last forty years has predictably been matched, but I’d argue it’s also been exceeded, in that the “If you like this, try that” and “wine stories” article themes that have been reserved for this edition’s color pages sections are superb (and make the book even more useful). If you’ve skipped the last couple of editions, it’s time for an upgrade.
The 24-Hour Wine Expert by Jancis Robinson ($12.95, Abrams Image)
Bottom line: recommended, with reservations.
It’s not that The 24-Hour Wine Expert isn’t a very good wine book; it is, and Jancis Robinson brings her sharp prose and equally sharp mind to pop many a wine myth balloon within its short 112 pages. The idea, espoused by Robinson in the opening Welcome section, is to use the book to answer common wine questions (how is wine made?, how should one buy wine?, what hardware should be used?, etc.) as they come up. The trouble is, the book is positioned in a way that leverages the very kinds of sweeping generalizations and shortcuts that Robinson has spent nearly her entire career in the public spotlight battling against, and ignores a more comprehensive wine knowledge resource of which Robinson has become a particularly skilled champion: the Internet. There’s useful information here, no doubt, but the usefulness of a hardcover copy is debatable…
Read the rest of this stuff »