During my most recent jaunt to Napa, I had the pleasure of visiting a few producers in the Valley to get a feel for just how the hellish 2010 vintage (remember that?) was coming along in barrel (well, for those fortunate enough to get fruit picked and crushed from 2010, that is).

So after that totally loaded intro., you’re probably already thinking “okay, spill it, WTF is going on with the 2010s,” right?

Not so fast, buck-o!

Let’s prolong the agony… and give you a little bit of (important!) context.  You see, I didn’t taste every friggin’ barrel of aging 2010 red in the Valley, and to get a firm grip on a vintage, you need to taste a sh*tload more of wines from that vintage than I managed to do that week.  In fact, I only hit up three high-end producers during the trip (Chimney Rock in Stag’s Leap; Hourglass’ Blueline estate, where they were aging juice from there and from their mid-Valley estate vineyard; and Cornerstone Cellars, who are aging 2010 wines made from fruit sourced all over the Valley, including St. Helena, Oakville, and Howell Mountain) – so my assessments should be taken with the proverbial grain of vinous salt.  One brief assessment does not a vintage chart make.

Having said that… few elements stood out as consistent throughout all of those barrel samples, and so we can wax some preliminary geekiness about what we might expect out of the Valley’s upper-fine-wine-tier in the 2010s (once they get into bottle)…

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The point when (or is that where… damn, I can never keep that straight) any normal person realizes that Stanley Cheng is loaded, and I mean God-calls-him-when-He-needs-a-loan loaded, probably comes pretty early during the course of meeting him; in my case, it came about ten minutes before I met him, while coasting up the lengthy, gated drive that marks the entrance to his newly-finished home and vineyard estate in the outskirts of Napa Valley.

It wasn’t the need for a security gate, the fact that he could actually afford a piece of land that spacious in Napa Valley, or even the fairy-tale mansion at the end of the drive that tipped me off to the Laurentian-abyss-level deep pockets; it turns out I’m too obtuse to pick up even those obvious clues.  In fact, at first I thought the house had to be a winery facility made up to look like a mansion, because it just seemed too big and gorgeous to really be someone’s home.

No, for me the moment came when I pulled up to the much sparser but still handsome building a little more than halfway between the gates and the mansion, thinking that it had to be Stanley’s house because it was about three times the size of my place.  Then I took a peep through the large glass doors and noticed that I wasn’t peering into an office building or a residence, but into a sort of garage / gymnasium.

That’s when it hit me that Stanley Cheng had more money than god…

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“You’re actually the first journalist to see this.”

Loaded words spoken to me when walking down the back staircase at Chateau Montelena to the cellar room. And they’re not just fully-packed AK-47 words because I’ve received no formal training in journalism; it’s because there’s pressure when someone trusts you enough let you take a peek into the dirty underwear drawer of a movie star.

Ok, so it’s not actually a dirty undie drawer; but it’s the equivalent, anyway, when that movie star isn’t a recognizable pretty face plastered across billboards and silver screens worldwide, but is a winery.  And make no mistake about it, Chateau Montelena is, indeed, a movie star.

The steady stream of tourists and visitors arriving right on my heels at 9AM, popping photos of the Calistoga winery’s iconic stone castle exterior was evidence enough of that, considering that your average Napa Valley wine country tourist turns around once they hit downtown St. Helena on Route 29.  If you want to visit Montelena, you have to find Montelena, and to find Montelena you have to be going slightly out of your way; you have to be looking for it.

The recently-expanded parking lot is the best evidence of Chateau Montelena’s new-found popularity – where they previously got by with space for about eleven cars, they’ve had to expand to a new lot that can accommodate several times that number. It’s all part of the strange dichotomy that seems to have defined the image of Montelena in the minds of wine lovers over last few decades: a familiar name and yet not a familiar destination.  Even though its name became etched into the consciousness of U.S. wine lovers after Chateau Montelena’s then-unknown Chardonnay bested its more celebrated French counterparts in the famed 1976 “Judgement of Paris” tasting, real fame – movie star fame – didn’t come until 2008 when the movie Bottle Shock hit the theaters, giving the `76 Paris tasting the Hollywood treatment.

Too Hollywood, as it turns out.  Ask Montelena’s assistant winemaker, Matt Crafton – who as a lanky, tall, affable, laid-back-but-knowledgeable guy seems to fit like a glove into Montelena’s NorCal culture – how accurately Bottle Shock portrayed Montelena’s history, and you get a pause, followed by a smile and an answer that says everything by hardly saying anything:

“Well… There was a Paris tasting; the Barretts did exist; we did win.”

All the rest, as they say, is basically Hollywood bullsh*t…

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