Occasionally in the wine media world one gets asked to contribute to articles, news stories, wine lists and wine picks. I’ve done this several times (recently for Sommelier Journal, for example) because I like to help people out if I can, and when it comes to Going Pro it doesn’t hurt to have your name in the public eye and mind of the wine world (more on the pros/cons of that approach in a future Going Pro article).
Those contributions are almost always uncompensated, as was the case in my latest – a two-page blurb that I gave to London-based sommelier and consultant Tara Devon O’Leary (at her request) for her newly-released book, Every Wine Tells A Story. Well, uncompensated unless you count the copy of the book that she gave to me.
Like another wine book recently reviewed on these virtual pages (A Feast At The Beach), Every Wine Tells A Story is a series of short, vignette-style pieces, though the focus is squarely on wine and the vignettes are supplied by twenty-nine wine personalities that include sommeliers, print journalists, bloggers, winemakers and wine merchants. Each story details something interesting about a particular wine recommendation and why (and how) it touched the author in some way. There are some great moments in this little book, and greater still are the wine recommendations, many of which are readily available (though some, like the 1971 Domaine Romanee-Conti picked by Judgment-of-Paris legend Steven Spurrier, are well beyond the reach of all but the richest among us).
Today I’m very pleased to announce the launch of an idea that I’ve been contemplating in my noggin’ for a long time, which is to add podcasts to 1WineDude.com for interviews (trust me, no one wants to hear a podcast of me talking to myself).
Author and designer Tanya Scholesbraved illness, jet lag, and guinea pig status to become the first victim kind-hearted soul to help me launch this podcast idea, which I’m dubbing “1WineDude Radio” because I lack the inventiveness to come up with a catchier name.
Tanya has just released her first book, The Art And Design Of Contemporary Wine Labels, and it’s a beauty (and one that his been garnering praise recently throughout the wine world), which details the previously hidden stories behind the designs of hundreds of stunning wine labels. Yes, I did receive a review copy (for those of you work in the FTC), but that won’t stop me from recommending this as a potential holiday gift for those of you looking to treat yourselves that special wine-lovin’ someone.
Anyway, in this inaugural podcast episode, Tanya talks about how the book came to be, recalls the reaction she gets to the book from winemakers, instructs me on the correct pronunciation (both English and French-Canadian) of her last name, and contemplates why wine label designers seem overly-preoccupied with cephalopods. You know, just another day at the office!
Also – a few of quick points on this whole podcast thang:
I am NOT attempting to usurp radio programs like (the excellent) Wine Biz Radio, who are actually sponsored, on-air programs.
I am NOT planning on abandoning the written word (or video).
YES, I am throwing this format into the mix to spice things up a little bit, and mostly to provide a means for giving more exposure to (hopefully interesting and thought-provoking) back-and-forth interviewing repartee.
Additionally, the blind tasting regimen for the trials (which once again pitted inexpensive wines against similar but much pricier brands) was enhanced with a bit more of the science behind them explained, and the results were similar to those in 2010: non-experts prefer less expensive wines, by a significant statistical margin.
Finally, Robin and his co-authors seem to take an even harder line in The 2011 Wine Trials against the use of point scores by leading wine publications, including taking Wine Spectator to task for how they handled the Award of Excellence kerfuffle in 2008. Whether or not you agree with their stance and their findings, the Wine Trials team at Fearless Critic Media are clearly not interested in backing down anytime soon.
Robin (once again) kindly agreed to talk to me about his controversial new release, and (once again) he has a lot to say about Wine Spectator, the 100 point wine scoring system, and how wine consumers can enhance their own perceptions (and use their own preferences to rally against snobbery in the wine world). Oh, yeah, and he talks RUSH!
Not my biological father, mind you. In fact, he’s not related to me in any way; he’s not my adoptive father, either.
It happened back in February: I was sitting at one of the evening dinner events at the 2010 Professional Wine Writers Symposium, and was talking about how I thought Charlie was awesome and that I’d recently commented on another website that I wish Charlie was my dad. Then, someone pointed out that Charlie was sitting about two places to my right, and Charlie kindly agreed to pseudo-adopt me on the spot. Highlight of the trip for me, in a lot of ways.
Charlie has a new version of his Guidebook to California Wine (The New Connoisseurs’ Guidebook to California Wine and Wineries, of which I received a review copy), so we are (and by “we are” I mean “I am”) extending the theme of publication reviews this week by spinning some yarn about Charlie’s new book, co-written with Joseph Furstenthal (the book, that is, not this review).
What I mean is, it offers up thoughts on the history and products almost 500 California wineries, which invariably leads to the following sequence of events (for me, anyway):
“I wonder if they cover [insert winery name here]?”
“Hmmm. I never knew that about [insert winery name here]. Wonder what they think of [such-and-such-winery]’s more recent releases.”
You get the idea. The New Connoisseurs’ Guidebook is like searching the Internet on CA wineries, only in miniature (and in print) and guided by the expertise of people who have covered the winemaking in the state since most of us wine bloggers were eight year old kids drinking Coke from glass bottles…
This site is licensed under Creative Commons. Content may be used for non-commercial use only; no modifications allowed; attribution required in the form of a statement "originally published by 1WineDude" with a link back to the original posting.