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On The Road | 1 Wine Dude - Page 28

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Short Answers, Long Finishes And Seesaws (Tasting With The Grandfather Of Modern Chilean Winemaking At Viña Morandé)

Vinted on May 19, 2011 binned in kick-ass wines, on the road, overachiever wines

You don’t really know a winemaker until you’ve shared a seesaw ride with him.  That’s my new mantra after visiting Viña Morandé’s “House of Morandé” restaurant and tasting bar (oh, yeah – and playground) just outside of Santiago in Chile.

The playground is for the kiddies, to keep them occupied while mom and dad taste some wine.  At least, that’s the company line from Pablo Morandé, winemaking director at Viña Morandé.

Pablo comes off as a series, polite man; he’s tall, with white-grey hair, and a matter-of-fact look about him. When asked questions, his answers are short, to-the-point, and delivered with a sort of “of course this is the answer” confidence that comes from being one of the pioneers of modern winemaking in the area.  In other words, they’re hopelessly non-quotable; but who needs quotes when you’re sharing a seesaw moment, right?

Being the pioneering granddaddy of modern winemaking in these parts is, of course, relative – it means you’ve been making wine since, say, 1996, and not 1896, so “grandfather” might not be totally appropriate a moniker. But when you see Pablo Morandé, I defy you not to think “grandfather.” When you meet Pablo Morandé, there is no way in hell you’re not going to be thinking “grandfather.”

Anyway, I consider it a Vatican-worthy minor-miracle that we got Pablo Morandé on the seesaw.  But then, after finishing up a tasting and lunch at his restaurant during which he wasn’t spitting, it probably shouldn’t come as too much of a surprise after all, despite his serious demeanor (I’m guessing that the wines helped).

What has Pablo Morandé learned in his relatively long Chilean winemaking tenure? In summary: do less

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Can Terroir Be Designed? (Behind The Scenes With Chile’s Newest Ultra-Premium Red at Viña Vik)

Vinted on May 12, 2011 binned in elegant wines, on the road

“Of course, you know this word, terroir?”

The fact that Gonzague de Lambert, Marketing & Sales Manager of Viña Vik, didn’t punch me squarely in the head after my response to his question – especially given our close proximity at the time, he in the driver’s seat and I in the front passenger seat of a truck bouncing through the meticulously-kept vineyard property of one of Chile’s newest winemaking outfits – is strong testament to his good-natured attitude:

“Sure,” I said, “it’s French for Brett.”

Gonzague, formerly of Château de Sales, is very tall, very approachable, and (in mannerisms) very French (zee accent, zee pursing of zee lips when he speaks…).  All the more reason why my joke actually playing out successfully feels, in hindsight, like some minor miracle.

On a warm, sunny, South American Summer day in early March, I visited Viña Vik, hosted by Gonzague and their equally affable winemaker Cristián Vallejo. On a day like that, with full view of their estate (and upscale guest house) in Millahue, one marvels at what’s been achieved in their plantings, and in their lofty ambitions.  A state-of-the-art winery is being built there in the hopes of making the best wine in Chile.  As in, the best wine ever made in Chile.  No pressure or anything, right guys?

Viña Vik is the brainchild of uber-rich Norwegian entrepreneur Alexander Vik, who, after researching potential S. American vineyard sites with extensive soil reporting, settled his winemaking sights on this stretch of land in Millahue (“Place of Gold” in the native indigenous language there) on the northern end of the Apalta Valley in Chile. Carving out a viable vineyard here, in the middle of nowhere (if you were dropped into this hilly, arid, windy spot blindfolded, you could be forgiven for thinking you’d landed in an eastern Africa game preserve) must have put a serious dent in Vik’s fortunes.  They wouldn’t give me numbers, but did admit the cost to develop this land for viticulture fell somewhere in the ridiculously-expensive range.

The idea was to identify and develop a unique terroir in South America, and let the wine speak for itself.  But can the expression of terroir be designed? Can it bend to the whims and resources of an almost-unlimited wallet? In other words, did it work?  I tasted their blending components made from the unique vineyard parcels in 2010 – along with their latest 2009 release – to find out

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PR Jonesin’ And The Temple Of Parker Scores (Adventures In Wine Tasting At Chile’s Errazuriz)

Quick quiz for you: How many times can you listen to a winery’s PR guy mention Robert Parker scores before you want to shove wine barrel bungs into your ears to drown out all sound?

For me, the answer is “somewhere around 25 times,” which is about the amount I endured in the impressive underground barrel storage area of Errazuriz during my recent visit to Chile. I certainly don’t blame their PR for dousing me with the Robert Parker score hose during my visit – Errazuriz are clearly (and justifiably) proud of the accolades that their wines have received; they’ve been at the production of high-end, “icon” wines longer than just about anybody else in Chile, after all.  But… what I had a difficult time with was the relentlessness with which that stream of scores was trained at my poor, unsuspecting ears.

God knows I don’t hate Parker, and I don’t hate wine scores (I find them very limiting, and rife for misuse, but don’t hate them).  While I find Parker’s palate prefers wines that, to me, come off a bit on the brutish side (and quite a few of Errazuriz’s releases fall into that category), I’m sure plenty of people who like the higher-scoring Parker selections likely find my highly-rated selections on the tepid, shy side.

All further proof that you owe it to yourself to learn your own taste preferences before following the advice of critics too closely, I suppose.

Anyway… back to the cellar of PR pain…

I actually tried to derail said PR person by mentioning (when we were discussing Bordeaux wine prices versus those of Chile’s finest reds) that I’d interviewed Parker fairly recently.  I figured what the hell, maybe telling him I’d had contact with Parker would at least change the context of the current discussion about Parker.  Nope – that tactic had about the same effect as trying to stop a charging elephant with a grade-school-classroom-grade spitball.  So I turned it into a learning opportunity, and the lesson was this:

Reciting a litany of wine scores isn’t really marketing!

It wasn’t helping the oppressive vibe any that day that the icon winery at Errazuriz is impressively imposing in its starkness, or that the barrel rooms have brick and calcareous rock that measures up to two and a half inches thick in some places – while good for withstanding Chile’s earthquakes, the whole thing came off as being a bit too overwhelming, and it all felt just a tad old school.

Quite a marked contrast to the experience I had just a few hours earlier when visiting Errazuriz’s western vineyard location, the gorgeous Chilhue Manzanar (“seagull’s place” in Mapudungun, the language of the region’s indigenous Mapuche people) 120 km northwest of Santiago, and mere 12 km from the Pacific ocean…

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Biodynamics Hits Chile, Without the Controversy (At Least For Now): In the Vineyards at Emiliana

Vinted on April 28, 2011 binned in on the road, overachiever wines, sexy wines, wine review

In the morning fog of Casablanca, a stone’s-throw from Santiago, Chile – provided that you could throw that stone over the enormous mountain range that divides Casablanca and the city, that is – the world feels very, very small. At least, it did to me on my recent S. American jaunt.

The world feels small despite the fact that those fog-covered vineyards (cooled by the effects of the mountains, which dramaticly reduce the amount of sunlight and heat compared to the city) are owned by Emiliana, a company that collectively farms the largest source of estate-grown organic wines in the world.  It felt small despite the scale of how “all-in” Emiliana is when it comes to organic viticulture.

Part of the cozy feel comes from Emiliana’s Casablanca estate itself: home to wandering birds (especially the chickens, who eat the larvae of what are locally called “burrito spiders” but I took to be mites, who can damage vine roots), and alpaca (whose wool is sold by the vineyard workers).  Part of the feel also comes from how the workers are treated here – they are trained and then help manufacture olive oils, hats, and various other native crafts that are sold in the off-season to help maintain their income when not working the vineyards (many of them also have named plots in the organic gardens near the vineyards, which helps supply them with healthy food).

But mostly the world felt small to me in Emiliana because they kept talking about Biodynamics, a topic that got very hot recently here on the virtual pages of 1WD.  And they kept calling it… wait for it… the “science of Biodynamics.”

I can feel the collective shoulder-tightening ire of the wine geeks reading that last sentence.

And where did Emiliana get the BioD bug?  From a visit by consulting winemaker Álvaro Espinoza Durán to Sonoma’s Benziger, where I visited in the not-too-distant past, and talked BioD with head honcho and BioD cheerleader Mike Benziger – and then interviewed BioD viticultural consultant Alan York (whose clients include Benziger and rocker Sting) as part of a more in-depth pro/con BioD debate.

And to further the far-away-but-close-to-home experience, I found the vinous results of this Biodynamic work to be pretty similar to those I’ve encountered elsewhere in the wine world… namely, inconsistent

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