Actually, it’s not so much a smackdown as, it turns out, a comparison of apples and oranges. Or, a comparison of Old World style vs. New World style.
After visiting both Opus One and Penns Woods Winery, located on the Left and Right Coasts, respectively, I thought it would be interesting to host a blind tasting between the 2005 vintages of both winery’s Bordeaux-style red blends.
What would a clash of the titans like this prove?
Not much, it turns out, but it was an enlightening experience, and one that you will want to read if you appreciate differing styles of fine wines, and are interested in a bit of a litmus test on how far wines from both coasts of America have come…
Or, if you want to read the extremely geeky musings of two wine dorks.
Anyway, for this blind tasting, I was reunited with my 2WineDudes partner in crime, Jason Whiteside, who was in town taking a few of his exams for the WSET Diploma in Wine & Spirits. The wines (hereby referred to as Wine 1 and Wine 2, until such time as their true identity is revealed) were decanted a few hours before our tasting, and neither Jason nor I knew which wine was poured into which decanter. Both wines were then poured into separate (but identical) Riedel wine glasses.
Following is the uber-geeky tasting play-by-play:
- Jason: “There’s really good color in both of these wines. Wine 1 is Ruby with a nice garnet hue, and it fades more at the rim than Wine 2, which suggests that it wasn’t handled as gently. Wine 2 is deep ruby with blue tinges and nice pink legs.”
- Joe: “I really want to drink both of these suckers.”
- Jason: “I definitely get a Pennsylvania harvest/Autumn leaf aroma on Wine 1. Lots of smoke, not quite as complex as Wine 2. Plenty of bright red fruit, with black cherry, currants, spice (coriander and cocoa), and Macadam/tar. The finish on Wine 2 is waaaaay long and the wine is more concentrated – bakers chocolate is going on here, Lots of oak, menthol, and heat. Wine 1 might have had more exposure to oxygen and is a little more reductive. “
- Joe: “Wine 1 is more subtle on the nose. I’m getting a lighter red fruit on it than Wine 2, which suggests PA more than CA. Wine 2 is very dark with more fruit, I’m thinking figs, mint leaf and plums. I’m not going to spit either of these, though…”
- Jason: “Wine 1 is mineral-forward. The finish isn’t extraordinary, but it’s good. It’s got medium intensity and great acidity; it’s just really well-balanced. It’s very Italian in style, weight, and acidity. If you hadn’t told me these wines were from PA and CA, I’d have thought this wine was from Tuscany. Wine 2 has more dry extract, it’s got to be riper, thicker-skinned grapes. Wine 1 has to be PA, and Wine 2 is from CA.”
- Joe: “Wine 1 has ‘greener’ fruit to me. I would’ve expected a little more on the length of the finish though, based on how well the wine showed up on the nose and on the visuals. Wine 2 has more oak tannin, I think, and good acidity; it feels like a wine built for a “longer haul” to me. By the way, what the hell is dry extract?”
- Wine 1 was Penns Woods Ameritage, and Wine 2 was Opus One.
- Jason: “At a quick glance, these wines look and feel very similar. But when you investigate them more deeply, they are very, very different wines. What’s striking is how the different raw materials – the grapes – come through, even with two flawlessly crafted wines; which these both are.
- Joe: “Totally agree. Bottom line for me is that Penns Woods is aiming for an Old World style, and the wine totally begs to be sampled with food. Opus has more of a New World/CA thing going on. Both are clearly made with passion. Let’s get stupid on the rest of this stuff!“
There you have it. East Coast meets West Coast turns out to be more like Old World Italy meets New World California. Who’da thunk it?
“No shortcuts – either you do it, or you don’t do it. You either believe in yourself and commit to the idea to spare no expenses, or you close your doors.”
Gino Razzi, owner and winemaker at Penns Woods Winery, drives his minivan in the same way that he makes his wines. In fact, he seems to do everything the same way that he makes his wines – which is to say, with a driving singularity of purpose.
Either it’s done full on, or it’s simply not done at all.
This was the primary thought running through my mind as I followed Gino from his winery and wine import business in Eddystone, PA (a stone’s throw from Chester, which is sometimes Philly’s equivalent of war-torn Beirut) to the idyllic setting of his vineyard and quaint tasting room in Chadds Ford.
It didn’t help that Gino takes corners at speeds that would make Mario Andretti proud, or that I’d spent most of the morning tasting samples of the wines that Gino had in barrel (most notably his latest Chardonnay vintage, which, as he put it “might be the best wine I ever made… if I don’t screw it up!”).
I was first introduced to Gino and his wines via a wine pairing event at Teikoku restaurant near Philadelphia. Gino’s Chardonnay blew me away at that event. What I tasted in barrel at the Penns Wood winery had even more promise. My curiosity at exactly how Gino was able to pull of wines of this caliber in PA – hell, for that matter, on the East Coast – led to me scheduling some time with him to discuss his winemaking mojo…
For anyone familiar with the perception of PA wines, it’s hard to convey the extent to which Gino may be rewriting the rules of how wine is made here. His wines achieve levels of fruit extraction that have never been reached by some California producers, let alone anyone on the Right Coast. When I arrived at the winery, Gino was preparing for an upcoming tasting that would feature some of his top-end wines. For comparison, he had selected wines such as Chateau Angelus and Puligny-Montrachet. He was prepared to compare his wines with what some consider to be the world’s best. Uhm… aren’t we talking about wines made in Pennsylvania here?
This confidence isn’t entirely a matter of hubris (or insanity, at least I don’t think it’s insanity). “I want to change people’s perception of Pennsylvania wines,” Gino told me. While he doesn’t expect his wines to necessarily be better than the world’s best, “I d0 expect to have [the tasters’] heads blown up when they taste my wine.”
It’s not that PA isn’t without it’s winemaking challenges: at 2,000 cases a year, Penns Woods can’t break into a market run by an iron-fisted monopoly; with a short growing season, Gino needs vines that encourage quick phenolic ripeness to achieve good color and complexity – exactly the opposite of what most nurseries are providing for California.
The inconsistent continental PA climate doesn’t always cooperate with fine winemaking, either. Gino’s red Bordeaux style blend, Ameritage, won’t be made this year due to the quality of the red grapes. “If you don’t have the chicken, you ain’t gonna make the soup,” said Gino. (It’s not all gloom and doom – the whites “are fabulous;” after some time in barrel, a low yielding Cabernet Franc is also looks promising.)
“No shortcuts – you either do it, or you don’t do it.”
No expense-spared winemaking is pretty much the only winemaking that Gino practices. Not surprisingly, his wines are pricey. “I’ve been told my wines are expensive – what do you want me to do? When I give something to the consumer, I need to say ‘Hey, I did my best.’ If it’s no good, I won’t put it out there.”
And as I came to find out, Gino has pretty high standards for “good.”
A stone’s throw from the Philadelphia airport, Gino is pouring a significant investment into Penss Woods and its final bottlings. His corks run upwards of $2 (“your cork is your insurance policy”); he’s installed a horizontal rotary fermenter that ensures controlled skin contact and maximum extraction (it’s not cheap), and he donates a portion of the proceeds of every bottle sold. He has a near-obsession with cleanliness (which made me feel bad for his right-hand man, George, to whom Gino was passing cleaning task after cleaning task during my visit), which also doesn’t help the bottom line. “I pay extra attention to the cleanliness,” he told me. “Everything must be absolutely clean. A clean winery only hurts your pocket.”
An immaculate, high-tech winery is one answer to the challenges of winemaking in PA, but Gino was quick to point out that he’t not making ‘Franken-wine’: “There isn’t one thing that makes your wine better. It’s the adding up of little steps. There’s no secret.”
Gino’s take on Go Big or Go Home winemaking probably came from his roots (ha-ha!) in Italy. Gino grew up around wine. He’s from Abruzzi, a large area of wine production in southern Italy. “When I first came to the U.S. around 1971, you didn’t find much Montepulciano,” he told me. Smelling a potential fortune, Gino started importing the wine – and soon realized why there wasn’t much Montepulciano to be found in the U.S. “It was so heavy and tough to drink. America loves sweets, and they like a softer mouthfeel.” In other words, nobody bought it.
As Abruzzi evolved from a bulk producer to an area producing fine wines, Gino began importing the newer, easier-drinking wines, which sold enough to support his budding importing business. “I see similar parallels to Pennsylvania now and Abruzzi 30 years ago,” he said. “It’s a rougher industry. It was done by people with a lot of heart; their enthusiasm was bigger then the available knowledge. They didn’t know what grapes to plant, or how to best make the wines. They did the most they could to learn –Eric Miller [winemaker at Chaddsford Winery] was the pioneer – there were no experts or viticulturists around to learn from.”
Gino’s introduction to Pennsylvania winemaking was not a positive one. “I was not convinced that it was possible to make good wine in Pennsylvania,” he said. While consulting at a PA winery, Gino’s opinion started to turn more favorable, and he wondered if PA had more to offer in the wine world than he’d originally thought. He called his friend, Italian eonologist Concezio Morulli, and invited him to PA for a motorcycle tour of the local vineyards.
“I was not convinced that it was possible to make good wine in Pennsylvania“
After seeing the prevalence of expensive (and locally inappropriate) Scott Henry trellis system used on the PA vines, Concezio wasn’t impressed (“My God!” he told Gino, “how would you like to work everyday upside-down hanging by your feet!”). He didn’t think much more of PA winemaking either, after tasting a few samples from the local wineries.
Undaunted, in 2002 Gino sent some PA grapes to Asti in Italy for analysis. The result? “They told me, ‘the grapes are really good – go ahead and make wine out of them.'” Gino purchased grapes from Jan Waltz in Manheim, PA and crushed about 7 small lots. The resulting wine was “absolutely phenomenal.” Gino blended Cabernet, Petite Verdot, Merlot, Cabernet Franc, Carmenere, and Sangiovese – the Ameritage was born. When Smithbridge was ready to sell their 38 acres of Chadds Ford vineyard, Gino saw an opportunity to expand production and help recoup some of his ever-increasing costs.
Anyway, weren’t we speeding on our way to Gino’s vineyard? The picture there wasn’t anywhere near as rosy as it was in the winery.
Gino is starting with a decent base – 30 year old vines, on much more PA-appropriate VSP trellising, planted in stony, clay and loam soil. “The stones are a pain,” he said, “but they’re great for the wine.”
That’s where the fun ends.
Previously, the vines were poorly maintained, planted too low to the ground (promoting fungal problems) and permitted to grow way, way too long. In some places, the vines are planted a staggering distance from each other in their rows. There is clearly still a lot of work to be done.
Gino and I strolled through the vineyard as the autumn chill started to take over in the air. We were picking and tasting what grapes remained on the vines – those that hadn’t been harvested, or stolen by the birds, anyway. “It reminds me of when I was seven years old,” he said with a smile, “going through the vineyards in Italy after the leaves fell, looking for the leftover grapes.”
The taste difference between the clusters on the lower portions of the vine and those at the top (called “Seconds”) was staggering. The fruit on top was clearly under-ripe, in stark contrast to the sweet, luscious berries closer to the ground. “I told the guys at harvest, anything above the third wire, don’t pick it. Look! Not even the birds want the ones on top!” exclaimed Gino as he tossed a small cluster onto the ground. “Can you imagine if I put it into my wine?”
When you get three barrels of wine from thirteen rows of Chardonnay grapes, it’s no wonder the wine is expensive. I asked if biodynamic practices might help the situation. Too risky, according to Gino – especially considering the unpredictable Mid-Atlantic weather – and there’s too much work to be done in the vineyard before considering a big change in farming technique.
For now, there is much mojo in Gino’s wines (the upcoming whites especially, which have tropical fruit notes and good minerality), even if there isn’t too much mojo in the vineyard. Drinking Penns Woods Amertiage, it’s easy to appreciate the expense and effort that’s going into each bottle.
Whether or not the rest of the winemakers in PA, or on the East Coast, will be able to consistently rise above their vineyard challenges and rally behind Gino’s vision of no holes barred premium winemaking… well, we’ll just have to sip, wait, and see.
It’s that time of month again… time to hip you Philly-area peeps onto some excellent wine-related events coming up this month!
First up are two wine & food pairing events in West Chester, PA. I will be trying to get my butt to these events – hope to see YOU there!
Tuesday, September 16
at Doc Magrogan’s in West Chester, PA
from 6-8pm, $35
- Tuna Thai Chili Glaze with Seaweed Salad and Wasabi Sauce with Banyan Gewurztraminer
- Smoked Salmon Quesadilla with Goats Cheese with Piko Sauvignon Blanc
- Blackened Seafood Cannelloni with Tomato Salsa with Evohe Garnacha
- Roast Pork with Port Wine Sauce and Toast with Hobo Cabernet Sauvignon
Space is limited, reserve now! Doc Magrogan’s Oyster House (West Chester PA), Ph: 610 429 4046, www.docmagrogans.com
Thursday, September 25
at Blush in Bryn Mawr, PA
from 6-8pm, $45
The food menu is being created but the following wines will be poured:
- Banyan Gewurztraminer
- Optima Chardonnay
- Evohe Garnacha
- Folk Machine – The Long Drive (Zinfandel, Petite Sirah, Valdigue, Madera Syrah)
Plus, Blush is offering: 10% off any purchase graciously extended to any guest wishing to dine with us or relax at the bar after the event. Space is limited, reserve now! Blush, 24 North Merion Avenue, Bryn Mawr, PA 19010, Phone: 610-527-7700, www.dineatblush.com
Also happening this month: the next twitter taste live event, at 7PM on September 18th (click through for my take on the TTL events)! I will be joining the hosts, BinEndsWine.com, LIVE (along with some other east coast wine bloggers) at Wine 2.0 in NYC for the event. Head on over to the recently new-&-improved twittertastelive.com for the skinny. Check it!
(images: thcphotography.com, dineatblush.com)
As many of you already know, I am no friend of the Pennsylvania Liquor Control Board.
I suppose that is putting it a bit mildly, since I’ve likened their unconcstitutional state-run wine monopoly to Communism, publicly ridiculed the 40%+ premium that they add to state wine prices (while at the same time limiting selection, reducing service quality, and boating some of the worst storage conditions in the country), and accused them of engaging in fear-mongering and sycophantic lobbying to protect their monopoly position.
But who’s bitter? Me?!? I’m not bitter!!! Who you callin’ a PSYCHO!??!!!
Anyway, the good news is that I no longer have to utilize previous 1WineDude.com real estate to fight the good fight against the PLCB. I’ve found a blog dedicated to that purpose, and I’d argue that its author (Lew Bryson) does a better job of it than I’d ever do!
I give you noplcb.blogspot.com, a.k.a. “Why The PLCB Should Be Abolished“!
For PA wine lovers, this blog will be hilariously funny in the same “cuts-so-close to reality that it kinda makes you wanna cry” way that Dilbert is hilariously funny for cubicle workers…
While I will probably defer to Lew on all matters PLCB from now on, I should note that I’m not an advocate for abolishing the PLCB – or any state-run liqour monopoly, for that matter. I simply want those monopolies to adhere to the decisions of their state and federal constitutions, and to ammend existing laws to permit competition with those monopolies.
Let them have their fair shot in the real world, and not in the ‘fake’ marketplace set up under the protection of state governments. Personally, I don’t think their business plans stand a snowball’s chance in hell, but let’s leave that to the open market to decide – and not the lobbyists.
When you’re talking about a monopoly that brings billions of dollars to those states, it’s a Sisyphusian struggle to be sure, and I’m sure that some of my rants about this topic sound downright naive.
But… the way that these state wine monopolies run is appalling; the message it sends is that the government will protect businesses from having to adhere to the Constitution, so long as those businesses make enough revenue for the state.
And that’s just not the kind of world in which I want my daughter to grow up.