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Is there a new pecking order for cult Napa Cabs?
Well, the case could certainly be made after this past Saturday’s Premiere Napa Valley: the part-auction, part-networking-event, part-total-insanity in which small, selected barrels/lots from some of Napa’s most celebrated wine producers are auctioned off to collectors, buyers and importers, as special, once-in-a-lifetime future bottlings. The idea is that those wines are unique to each winning bidder, as the small lots from each producer are sold in their entirety to the winning bidder for that lot (I attended on the heels of the 2011 Pro Wine Writers Symposium).
Last year’s auction started off a little grim due to the down economy. The atmosphere was a little more convivial this year and when the biddings kicked off, the auction room was packed and the excitement, to my eyes and ears anyway, was more palpable. But when a Japanese importer got into a friendly-but-intense bidding battle over Scarecrow’s 5-case 2011 Premiere lot, the festivities took on the air of a rock concert, with cheering, clapping and smiles. No dancing or head-banging, though.
The winning bid by the Japanese importer was $125,000 – roughly $2,000 per bottle of Scarecrow’s stuff on offer that day.
We may just have a new King of cult Napa Cabs, and a renewed focus on Scarecrow’s winemaker Celia Welch – not only was the $125K the highest bid of the day for any of the 200 auction lots on offer, it was the highest winning bid in the history of the Premiere Napa Valley auction.
Will that Japanese importer ever break even on this weekend’s historic transaction? Probably not, at least not when it comes to recovering the investment on that particular wine. BUT… very likely the cache factor will send more business their way, so it seems a smart move commercially.
Is the news good for CA wine? Probably – if there were a better indication of the economy for high-end wine recovering, I’ve yet to see it. I did hear grumbling on the auction floor by other producers that the historic bid was more fanfare and marketing over substance, but there were plenty of people raving about the quality of the Scarecrow lot wine, and I think any Napa Cab producer needs to see the forest through the trees here – I can’t think of any way in which this won’t benefit the recovering industry here, generally-speaking.
More to come on all of this later in the week – including my notes on some of the other auction lot wines, and video of the history-making gavel being slammed on that Scarecrow auction (for now, you’ll have to settle for my crappy cell phone picture of the winning moment from the “results board”).
What do YOU think? Is Scarecrow’s record-breaking success a boon for Napa Cab.? or is it a score-whoring setback for fine wine at affordable prices? Shout it out in the comments!
Over the past two weeks, I’ve posted podcast interviews with leading voices on both sides of the debate over the merits of biodynamic viticulture (if you’re interested in why I chose to tackle the BioD topic in this way, read the backdrop story line for the interviews).
On the “Pro” side, we’ve heard from International viticulture consultant Alan York.
On the “Con” side, BiodynamicsIsAHoax.com author Stu Smith has had his say.
Now that the views of both camps have been aired, it’s time to ante-up, slap the cards down on the table of philosophical vinous clarity, and voice some opinions. What conclusions should we draw from the BioD debate, and what opinions have been shaped by the voices of Alan and Stu?
Does “ongoing confusion” count as a valid answer to that question?…
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Ok. I know I’m not totally alone in thinking that Brett is a flaw. Or at least I’m pretty sure I’m not alone.
Helloooooooooo? Is anyone out there….???
The minor bought of vinous paranoia has to do with what seems like my inclusion in rarefied company, and I mean that in the “two percent of patients have a severe allergic reaction” sense or rarefied, and not in the “Emmy-award-winning drama for the seventh consecutive year” sense. You see, sometimes, it feels like I’m part of a group, rather tiny in number, that thinks a certain range of smells – barnyard, band-aid, and (putting it in the most polite context I can muster) “dirty diaper” – aren’t indicative of terroir, or the almost-as-ubiquitous “character.”
Call it the anti-brett clan, maybe?
It’s the group that classifies the presence of brettanomyces (a yeast that imparts aromas of band-aid, barnyard, and sometimes meaty funk to wines) as… well, as a flaw. No different than the unpleasant, musty odor cork taint, or the rotten-egg stench of sulfer.
Especially since, with increasing frequency, I seem to disagree with both the famous and not-so-famous wine critics and reviewers on how wines should be rated (in terms of recommending them to others) when those wine (to me, at least) very clearly display classic (nasty!) characteristics of brett.
I know that wine appreciation is subjective, and one person’s swill is another person’s prestige cuvee, but do people really enjoy the smell of band-aids and barnyard in their wines? I sure as hell don’t – and while I enjoy a touch of funk in some of my wines (the kind that smells like Slim Jims, or smoked meat), my prevailing thought for some time has been that brett is actually a wine flaw – yes, even the interesting meaty funkiness that I happen to… well, not like exactly, but not hate, either.
I say this because brett yeasts cannot yet be controlled, and until such time as they can be controlled (so that winemakers can ‘dial-in’ the amount – and type, as there are many brett yeasts and they impart different ‘flavors’ of off-beat funk) then whether or not the wine has pleasant smoked meat characteristics or instead smells like one of my daughter’s diaper blow-outs is almost entirely dictated by chance.
The aspect that has me questioning my sanity in all of this is that other people seem to like those wines – lots of people… and in some cases, they seem to really like them.
Other people like Robert Parker and Stephen Tanzer, for example…
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