Posts Filed Under book reviews
Full disclosure: Charlie Olken, the driving force behind The Connoisseurs’ Guide to California Wine, is my dad.
Not my biological father, mind you. In fact, he’s not related to me in any way; he’s not my adoptive father, either.
It happened back in February: I was sitting at one of the evening dinner events at the 2010 Professional Wine Writers Symposium, and was talking about how I thought Charlie was awesome and that I’d recently commented on another website that I wish Charlie was my dad. Then, someone pointed out that Charlie was sitting about two places to my right, and Charlie kindly agreed to pseudo-adopt me on the spot. Highlight of the trip for me, in a lot of ways.
Charlie has a new version of his Guidebook to California Wine (The New Connoisseurs’ Guidebook to California Wine and Wineries, of which I received a review copy), so we are (and by “we are” I mean “I am”) extending the theme of publication reviews this week by spinning some yarn about Charlie’s new book, co-written with Joseph Furstenthal (the book, that is, not this review).
The first thing I noticed about The New Connoisseurs’ Guidebook is that it’s mildly addictive.
What I mean is, it offers up thoughts on the history and products almost 500 California wineries, which invariably leads to the following sequence of events (for me, anyway):
“I wonder if they cover [insert winery name here]?”
“Hmmm. I never knew that about [insert winery name here]. Wonder what they think of [such-and-such-winery]’s more recent releases.”
You get the idea. The New Connoisseurs’ Guidebook is like searching the Internet on CA wineries, only in miniature (and in print) and guided by the expertise of people who have covered the winemaking in the state since most of us wine bloggers were eight year old kids drinking Coke from glass bottles…
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I like wine (duh). I also favor, and am often drawn to, personalities that are high-energy, engaging or highly-knowledgeable about their fields of expertise.
No surprise, then, that I consider Mark Oldman one of the most dynamic – and one of the best – wine educators in the world, since he’s got it going on all three fronts.
Most folks out there will recognize Mark’s face as the lead judge from the PBS reality-tv series The Winemakers, or will recall his name as the guy who makes the wine picks for the 15+ million readers of Everyday with Rachael Ray magazine. But I recognize Mark as the guy who wrote the beginner’s wine book that I’ve recommended more than any other wine publication – Oldman’s Guide To Outsmarting Wine. My standard line about Mark’s first book for years has been, "this is the one to try first for anyone beginning to get ‘into’ wine; it’s the book I wish I’d had at my side when I was first starting out as a wine buff." In other words, I thought it was an instance classic.
Outsmarting is still largely unmatched for its combination of verve, intelligence and accessibility – a lot like Mark himself, as you’ll quickly learn from our interview below. Mark has a new book on the shelves (I received a review copy) – Oldman’s Brave New World of Wine – and it’s geared towards the Intermediate stage of one’s vinous journey. In the pages of Brave New World of Wine, Mark offers up wine recommendations slightly off the beaten path, meant to expand your wine knowledge and delight without expending your bank account. For the most part, the new book is another stellar achievement for Mark, and more often than not I found myself nodding along with his recommendations and witty-but-wise takes on lesser-known varieties (turns out we’re both nuts for Nero d’Avola, ravenous for Rosé, and on a tear for Torrontés).
Mark took some time out of his busy book tour schedule to answer a few questions about his new book, the next season of The Winemakers, and how he got started inthe wine biz. Turns out that Mark also shares my affinity for the music of a certain long-standing Canadian power rock trio (as if I needed more reasons to like the guy at this point).
Before this intro. turns into another version of "I Love You, Man," I’ll turn it over to the interview…
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This week, we’re giving away a hardcover copy of Todd Kliman’s excellent The Wild Vine: A Forgotten Grape and the Untold Story of American Wine (of which I received more than one sample copy) to one lucky commenter (that could be YOU).
I should start by saying that The Wild Vine is everything that you’d want out of a good wine book; better stated, it’s everything that you’d want out of a good book, period.
There are compelling characters. There is a stellar narrative voice. There’s an underdog story (a few, actually, interwoven) that make you care. There is conflict, perseverance, and in some ways, triumph.
I’m just not entirely convinced that the story needed to be told – at least, part of it, anyway. I’m glad it was told – and in such gloriously talented fashion; I’m just not sure I “get” the importance of the tale, mostly because the heart of the story in The Wild Vine is the near total disappearance of one of America’s most seemingly promising, and at one time certainly most successful – native hybrids, the Norton.
The book takes us on tangents as wildly diverting as the un-pruned tendrils of a Norton vine: from the early 1800s near-suicidal despair of Dr. Daniel Norton (who by all reasonable accounts appears to be the originator of the Norton grape that bears his name) to the crowning of an American Norton as one of the world’s greatest wines in a late 1800s Austrian wine exhibition, to the near singly-handed modern resurgence of the Norton grape in its spiritual and genetic home in Virginia at the dedicated hands of Chrysalis Vineyards transsexual owner, Jenni McCloud.
As you have probably discerned, The Wild Vine is not without (major) drama. And while some might bristle at Kliman’s extensive use of fictional historical narrative to get inside the heads of the book’s decidedly non-fictional characters, and others might give up on the extended storyline (Kliman literally waits until halfway through the book before posing the question of why the Norton practically went extinct), those who stick with The Wild Vine all the way through will be well-rewarded.
There’s just a part of me – the part that’s tasted some nasty versions of wine made from Norton grapes – that wonders if the grape should have been saved.
(for details on how to win a copy of the book, read on…)
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