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I have, quite clearly, met my match when it comes to quirky wine interviews.
His name is Les Claypool, and he’s probably most famous for fronting the talented and popular hard rock band Primus (who are on tour this Summer).
As a (wannabe) bassist (going on 20 years) myself, I’ve often found Les’ music and technical proficiency inspiring. I recall being an undergrad in university and hearing Primus’ live album Suck On This! for the first time; “this kicks ass,” I thought, “but I doubt anybody but bass geeks like me would get into this stuff.” Thankfully for millions of music fans everywhere, my prediction was very, very wrong. Primus went on to release two Platinum and one Gold album, achieving impressive chart success with their singles and wildly eccentric videos.
What many people might not know about Les is that he’s also been a filmmaker, as well as the driving force behind multiple successful and stylistically diverse rock bands such as Oysterhead and Flying Flog Brigade. He has, somehow, also managed to find time to create a wine brand – Claypool Cellars, which produces a promising and very enjoyable Russian River Pinot Noir (“Purple Pachyderm”) with help from Shad Chappell at Vinify Wine Services. Les’ description of the `07 Pinot:
“We’ve ended up with a California Pinot with a fairly low alcohol content (13.9%), strong color, and good extraction that gives complexity without being overly “jammy.” Coupled with a moderate amount of French oak and some whole cluster fermentation, we have a vino that sits silky in the mouth with a finish that glides away with elegant authority.”
`08 was a bit of a different story, as heat in the RRV made trying to render a low alcohol Pinot much more challenging. I tried samples of two bottlings of the 2008 Claypool Cellars Purple Pachyderm: one a Russian River Valley Pinot Noir (307 cases, about $42), the other an RRV Pinot from Hurst Vineyard (110 cases). Both are big and expressive, just like Les’ music; while some might shy away from the boozy palate on both of these wines (each is around 14.4% abv), few would deny that the red berry fruit on the nose packs a substantial amount of depth and intensity while deftly avoiding the dreaded “jar of red jam” territory, despite the heat.
I managed to catch up with Les via email during a break in Primus’ current tour, to talk shop on the wine front. I still count Suck On This! and Tales From The Punchbowl among my favorite albums – and after 20 years of bass playing, still have trouble copping Les’ intricate, driving and chord-driven bass lines (though I’m making good progress on “Southbound Pachyderm”…) – so this interview was a particularly fun and inspiring one for me. I think you’ll find it fun as well, especially after witnessing how effortlessly and eloquently Les one-ups me in the quirkiness department.
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“I almost named the wine Serendipity because I discovered the technique which produces this wine by pure accident.”
This is a story that I’ve been chomping at the bit to tell for months. It’s the kind of story that makes you excited about the influx of talented, young winemakers in the Napa Valley, who are shaking things up with an attitude and passion that probably hasn’t been seen in the Valley since John Trefethen accidentally exploded a trash can full of fermenting juice in his basement in the `70s.
The quote that kicks off today’s article comes from Modus Operandi Cellars owner and winemaker Jason Moore. And he is either a bit of a genius, a bit ingenious, or certifiably nuts (or some combination of the three), depending on whether or not you come from the traditional U.C. Davis school of California winemaking. The story of the wine – called Antithesis – is the kind of stuff that is a bit stranger than fiction – in other words, you can’t make this kind of stuff up if you tried – which is why I’m excited to tell it. Or, I should say, I’m excited to have Jason tell it, which he did via a recent e-mail exchange. In that way, this article is part wine review, and part interview:
“In 2006 I had a little problem with one of my fermentations… the yeast stopped fermenting which left me with about two brix of sugar to ferment. I knew that the winemakers usual response to this issue is to prepare a new yeast build up and re-inoculate. I also knew that this is horrible for ultimate wine quality so I reeeeeally don’t like to do it… only as a last resort. So, I learned a trick from Phillippe Melka which has the ability to solve the fermentation problem while still retaining as much wine quality as possible.”
Before we talk about how Jason (quite creatively) overcame this little conundrum, I need to tell you a bit about the wine itself, which I first tried back in February during a get-together at Vintank HQ in downtown Napa. Jason was pouring the `07 Antithesis (among some of his other M.O. wines). I was struck by the quality and depth of the wine; I knew that it stood out as special, but couldn’t quite put my finger on why – that didn’t become totally clear until Jason described the strange history of the wine, which, as you will soon discover, is sort of like a twisted CA version of Valpolicella Ripasso.
Jason kindly agreed to send me a sample for review so that I could taste the wine under more controlled circumstances. And I enjoyed it just as much the second time around…
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For our latest 1WineDude.com interview, I’m tasked with the difficult job of introducing someone who requires no introduction (at least, not when it comes to the world of fine wine).
Today’s interview guest, Robert Parker, is arguably the most famous wine critic on the planet; what is beyond argument is that he is the most influential wine critic on the planet – his scores are capable of sending a wine’s market value into the stratosphere. He is the founder of the consumer wine review publication The Wine Advocate, which, not unlike a blog, began as a self-published journal – it now has tens of thousands of subscribers in dozens of countries. Parker is widely regarded as one of the world’s leading authorities on the wines of Bordeaux, and his ability to taste (and recall past tastings of) wines is the stuff of legend.
Parker’s influence and fame at times makes him a polarizing figure (you knew this part was coming, right?). He established the “love-it-or-loathe-it” 100-point wine scoring review scale. His preference for wines with bold, fruit-forward profiles has, some have argued, divided the wine world into fractions of those who religiously follow Parker’s palate, and those who religiously avoid it. The divisive effects of his influence have been chronicled in both books and in film.
He has been described as a great equalizer of wine, liberating it from an era of poor quality offerings pushed onto the market at unfairly high prices; he has also been vilified as creating a market of “international style” wines crafted by winemakers attempting to solicit high scores from his reviews, at the expense of regional uniqueness and a sense of place in their wines.
Mr. Parker was a gracious interviewee, so much so that he has tied author Kathryn Borel for the quickest response to interview questions that I’ve ever received. He even expressed concern that his responses might be a bit dull for the 1WD readers – “thanks for giving me an opportunity to respond to your questions. I’ll try and keep my answers as succinct as possible so your readers don’t nod off while reading them.”
As the Wayne’s World guys might put it – As if!
Below, you will find a fairly intimate glimpse into Mr. Parker’s views on wine blogging, Bordeaux en primeur prices, my friends Gary Vaynerchuk and Tyler Colman, the booming Asian wine consumer market, the Big Lebowski (yes, seriously), and his own influence and professional legacy. It is very likely a side of Robert Parker that few in the on-line wine world have yet seen.
I’m grateful to Mr. Parker for taking the time and opportunity for what might be his first-ever wine blog interview. I’m equally grateful to Jeff Lefevere of GoodGrape.com, who acted as contributing editor on the interview questions.
Ok – appetizers are over; let’s get to the meat-and-potatoes!…
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