Articles Tagged wine writing

You Will Read This Post Just Because It Mentions The 100 Point Wine Rating Scale In The Title

Vinted on June 25, 2015 binned in commentary

Sigh… Here we go. Again.

It seems the 100 point wine rating scale debate – and its subsequent delineation of ivory-tower criticism vs. crowd-sourced wine recommendations – has once again reared its ugly head, though since it’s a zombie topic that’s never quite dead, it doesn’t have to raise its moaning, rotting head very far to push itself back into the wine geek consciousness.

We begin with an article by my friend Jonathan Cristaldi, itself a reprise and update of a piece that was first penned and published in 2013, in which Jonathan discusses the relevance of the 100 point wine rating scale his future view of wine recommendations:

The future of wine ratings is a future of recommendations, not points or scores, from socially active wine enthusiasts and industry professionals who cultivate their own following and hold court over a sphere of influence. Experience and education imbues the passionate wine enthusiast with the kind of knowledge and confidence to entertain and communicate what is complex about wine, what is fun about wine–socially active oenophiles who post photos of labels and talk about wine in the vernacular will emerge as the collective voice for wine drinkers of the future. More and more people will learn of wine’s complexities through social engagement. Friends and confidants (trade and non-trade) will replace the lone critic and his bully pulpit. Wine drinkers will realize the power and worth of a discerning palate because of the value their friends place on such expectations.

This spurred a rebuttal by another friend of mine, Steve Heimoff, formerly of Wine Enthusiast, via his blog:

Proof? There is none. “If wishes were horses, beggars would ride,” the old nursery rhyme tells us. Merely wishing that individual critics will fade away, in favor of crowd-sourced opinions spread via social media, is the biggest wish-fantasy around. When Cristaldi tells us that “Friends and confidants will replace the lone wine critic,” he has absolutely no proof; no evidence supports it, except anecdotally; and even if the Baby Boomer critics, like Parker, are retiring or dying off, there is no reason to think that their places will not be taken by Millennials who just might be the future Parkers and Tanzers and Gallonis and Laubes and Wongs and, yes, Heimoffs.

Ok, folks, I cannot resist chiming in on this, so here goes…

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No Wine? Sorry, No Story.

Vinted on December 9, 2014 binned in commentary

A troubling trend is starting to appear in my Inbox.

[ Editor’s note: I wonder how many cheesy detective novels now begin with that premise… ]

Somewhat ironically, the troubling trend seems to mostly be coming from very well-meaning wine producers and their various public relations arms / firms / etc., and with very well-meant intentions. But the gameplan execution is all fumbled-at-the-five-yard-line.

What’s happening is that I am seeing a lot (LOT!) more wine brands clue into the fact that what differentiates them in what has become the single most competitive wine market in the history of mankind is, in part, their stories. So far, so good.

Some of them have even clued in on the other great differentiator in a market in which we are deluged with mostly non-human, robotic, advertorial interactions: the simple act of caring enough to deal with customers and consumers as real people, and giving them the extra love inherent in good service.

What they seem to be forgetting, however, is that the price of entry in this intensely competitive marketplace that is the modern wine biz is quality. If we in the media don’t get a chance to check out the wine, we cannot answer the fundamental question of whether or not the service and story are worth getting into in the first place.

The troubling trend? I am getting inundated with requests to talk about wine brand stories, connected to wines that I’ve yet to taste. Whoops!…

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Come Original (On Negative Reviews, #WBC14, Boring Wine Writing, & Non-Boring Wines)

Vinted on July 24, 2014 binned in commentary, elegant wines, kick-ass wines, wine review

“A warning to the crews out there who think they’re hot, if you’re not original rockers you will get shot
down by the kids neglectin’ your art, the stuff you did, eventually it get so bad puts you to bed
’cause when the lightning flashes sweet electricity, all the world then stands revealed with the clarity
of raw voltage, briefly we see and the hope is you’ll be able to tell just what dope is…”

Come Original by 311

Earlier this month, I attended the 2014 Wine Bloggers Conference in Santa Barbara, CA, as a speaker on a panel titled “How The Pros Taste.” I was actually in town primarily to help a friend of mine, Wandering Wino, kick off  a post-WBC tasting event (called “Authentic Press”) that focused on small SB-area producers (happy to report that was well-attended, and nary a drop of under-performing juice was to be found among the stellar lineup that he selected to pour at the event), so the timing all worked out splendidly.

I enjoyed WBC14 (well, ok, apart from the big dinner, which always seems to fall flat at WBC for some reason, excepting Alan Kropf’s entertaining WBA presentation), and thought this was one of the best incarnations yet, particularly for those new to wine blogging. The WBC keynote address by Corbett Barr seemed divisive based on the twitter chatter, but I also enjoyed that talk; and for anyone who doubts Barr’s assertion that character trumps everything else when it comes to building up your brand online, consider as some evidence that what I make for writing about wine puts me in the top 5-10% of all U.S. wine writers (and it’s a sad commentary that amount is only bonus-level money compared to my previous corporate gig).

I won’t comment on the Wine Blog Awards. No offense meant to the winners (there are some fine blogs in that group), and I’m always touched to be nominated and to be named a finalist, but I’m still pretty “fringe” and gonzo when it comes to wine writing (which, after all these years blogging, is also a kind of sad commentary, when you think about it), so the things I value and want to see recognized (in almost any genre, not just wine writing) are usually not what get rewarded. Just imagine how I feel about the Grammy’s!

A few hiccups involving LA road rage delays impacting fellow panelist Patrick Comiskey aside, I also had fun participating on my panel (for those of you who were thinking that I was stroking moderator Steve Heimoff’s crotch under the table on stage, I was actually petting Steve’s adorable pet dog Gus, who was sitting quietly in Steve’s lap the entire time; that’s my story, anyway), waxing philosophic about how I go about critically tasting vino (and getting totally fooled by the final “mystery wine” of the lineup). I’m good for at least one or two re-tweetable money quotes per panel, and the one that got the most attention during the panel seemed to be my comment on negative wine reviews (“some wines need to be kicked in the crotch”), so I thought I’d talk a bit more about that stance here.

My view on negative wine reviews is that they, like serving rare vintages of the world’s finest wines, ought to be reserved for special occasions. I say this because only a few wines are epically bad enough –and were created with sufficient malicious intent – that they deserve your finest writing work…

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Two Years Before The Masthead (Reflections On Becoming A Professional Wine Writer)

Vinted on April 22, 2014 binned in going pro

“You should write about being a professional wine writer.”

That’s the advice I got recently from a close friend, after we’d somehow gotten on the topic of picking writing topics. “Why the f*ck would anybody want to read that?” was my response, to which I added, “I’m not even a professional wine writer.”

My friend’s response: “oh, really? Say, what do you get paid to do nowadays?” (the “, dumbass” ending was, apparently, implied, and was further underscored by my realization that content about changing careers was exactly the sort of stuff I’d been finding such compelling reading on finance blogs lately.

To which my only (sheepish) answer was, “uhmm… writing and talking about wine…?” (you know you’re f*cked when you express a statement as a question).

The realization that I make my living (the bill-paying part, anyway) primarily by writing about wine – which by definition now makes me a professional wine writer – was apparently obvious to everyone else but me, presumably because I was too busy trying to make a living as a professional wine writer to notice (please feel free to insert the implied “, dumbass!”).

But facts are facts, and those are the facts. I’m officially two years into Going Pro in the wine biz, two years since I bid the Corporate America day job life adieu and finally took the leap into the freelance world (itself taking place a good two years or so after initially planned), Two Years Before The (1WineDude) Mast(head). And so… how has it been? What’s it like?

It’s pretty f*cking awesome!…

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