It’s with great pleasure (and after a sh*tload of hard work, not to mention wine tastings) that I reveal the 2011 version of 1WineDude.com’s Most Interesting Wines Of The Year!

The “competition” (such as it is, though it really isn’t such) was once again fierce, due to the volume of wines I tried in 2011 (up again from 2010 – considerably) and in the high level of quality of many of the wines to which I had the good fortune of being exposed through hundreds of samples, dozens of visits, blah-blah-blah.

The average price tag of the wines in this year’s list is once again on the high side (around $69), but there’s a price to be paid in creating a product that stirs the emotions, I suppose – the good news is that while several *very* expensive bottles are on the list, some of the best can be had for a relatively-reasonable $35-$40 per bottle.

For those of you who are new all of this and at this point are wondering what the hell I’m raving on about:

• I compile this list annually. It is NOT intended to be a “best of” or “highest rating” or “circle jerk” list (no mater what the PR folks do with it!).
• It is intended to be a list of arbitrarily-chosen wines that stood out, to me, as being particularly interesting for any number of reasons, not least of which are quality and complexity, and to call attention to those wines that I found most compelling this year – wines that make me want tot tackle the mountain of samples in my basement in search of another that might be somewhat like it. Actually, isn’t that how most non-chemical addictions start? Ah, whatever…
• These are not wines released in 2011 (though I try to favor recent releases so that you have a chance of actually trying the wines in this list), they are wines that I tasted in 2011.  Not all the wines I tasted in 2011 qualified – the wines have to be at least somewhat available so that you have a shot at trying them.
• Also, the list of finalists included some wines tasted in late December 2010 (since this list is compiled in its final form in mid-December).

This year, I’m happy to also announce that the list comes complete with a new badge,  created by Mofunsun Enterprises, LLC (a.k.a. design rock-star Jeffrey Sun) who also designed the badges I use each week in my wine reviews (see above). Producers included in the list below are free to use the MIW badge in any way that they see fit, so long as it is not modified (those interested can contact me for details).

This is, by far, the most difficult content for me to compile each year. No pressure, but if you don’t enjoy it then bah-humbug, you can go sit on an inappropriate wine-stopper. As in previous years, you will find some surprises in this list.I invite you to react, comment, and have fun, so long as you agree to take it for what it really is: a celebration of wine’s pleasure and subjectivity.

Enjoy!…

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“Billy C. is drinking Sandeman Port down at the old café
And the river goes by slowly, the river likes it that way.”

- The Knuckleball Suite, Peter Mulvey

In the world of wine, there are a few images that stand the test of time and can truly be described as iconic, instantly conjuring up the history not just of a long-standing producer, but also of the entire region that producer calls home. And when you’re iconic in the world of wine, with its long historical perspective… well, then you’re just f*cking iconic, period.

In America, we have such an icon: the Missionary-style tower at Robert Mondavi winery in Napa Valley has come to represent not only the history of fine winemaking at RMW, but the entire modern history of fine winemaking in all of Napa (and by extension all of the U.S.), by virtue of the man who just about singlehandedly started it all.

The world of Port in Portugal has such an icon, too: The Don – that tall, dark-cloaked stranger that stands so prominently on the Gaia side of the river Douro (and who’s a lot more Zoro than creepy-flasher), is instantly recognizable to anyone walking along the shoreline in Porto. George Massiot Brown’s poster design from the 1920s has come to represent not only the 200+ years of Port-producing history that began with Scotsman George Sandeman – to many, it represents Port, period.

So when you’re offered samples of the icon’s range of age-designated Tawny Ports (from 10 to 40 years old) for possible review, you think twice about turning them down. In fact, in that scenario, as a wine geek you really have only two options: 1) decline the samples, or 2) plan on staging a comparative tasting and pairing them with Apple, Cranberry & Walnut Pie with Stilton (from page 208 of Sid Goldstein’s excellent The Wine Lover’s Cookbook).

You can guess which option I picked…

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Those of you who have just been rescued from being stranded for decades in South American jungles and are now coming to grips with you strange new world that involves cellular telephones, 3D television and the Global Interwebs, might not have heard that influential wine personality and bestselling author Gary Vaynerchuk last week announced that he has retired from producing his frequent wine-critique videos.

It’s a move that, in impact to Gary’s fan base, is probably a bit like Howard Stern’s recent announcement that he’s scaling back the number of shows he will produce each week – which is to say, polorizing.

Gary’s latest move comes a little over 160 days after he retired WLTV in favor of his mobile device venture Daily Grape, and a little over seven months after he shut down Corkd. For those concerned that he might also shut down his best-selling books, please note that it’s a lot harder to do that once the printed copies are in your hands!

It wasn’t a great week for wine personalities sticking around – Mike Steinberger also left the scene (at least temporarily) when he had his excellent wine column axed from Slate (to which I say “F*ck Slate!”).  Anyway… The wine world is, understandably, rife with speculation on the Whys behind Gary’s move.  I think a (much) more interesting topic, though, is the What: as in, What does Gary’s wine retirement from wine criticism mean for the wine world in general?…

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I am not a fan of small producers in emerging wine regions bottling and selling a large array of varietal wines; almost everyone loves having choices, but too often the cumulative result in this case ends up feeling like a Zinfandel that’s been watered-down in a feeble attempt to get it under 16% abv – a diluted mess with a lack of focus (with even the worst results being pawned off at inflated prices to unsuspecting tasting room visitors).

Which is why meeting winemakers like Kirsty Harmon is more refreshing than a chilled Monticello Viognier on a steamy Virginia Summer Sunday.  She’s the kind of person who, through their laser-like determination, make me eat my own virtual words!

Harmon is the driving force behind the wines of Virginia producer Blenheim Vineyards – a short, wavy-haired whirling dervish of a woman whose freckles belie a winemaking stance that is supremely mature in its simplicity: make wines for now, that are true to place, and make them as delicious as possible.

“I’m not a very patient person,” she told me when I (and several other wine bloggers) visited Blenheim as during the producer visits that were part of the recent 2011 Wine Bloggers Conference in Charlottesville. “I try to make wines that are balanced and ready to go right out of the bottle.”

Focus is the friend of the emerging-region winemaker, as is talent.  Harmon has both, and Right Coast wine producers would do well to focus on her… well, her focus. “Yummy” is usually a terrible descriptor to bandy about when you’re trying to relay the essence of a wine to someone else, but in the case of Blenheim’s bottlings the word just fits. Harmon makes yummy wines, and she makes them from several varieties – Syrah (peppery and bright), Chardonnay (peachy and solid), Viognier (floral and elegant), Merlot (herbal and hefty) and Cabernet Sauvignon (tangy and minty), to name a few – without any of them sucking…

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