In this episode of 1WineDude TV, I share the results of a “field test” of Clif Family Winery’s “The Climber” pouch wine from the 20th annual Summer Solstice Music festival outside of Philly, a charity event for which my band has performed (clips included in the vid) for… well… quite a few of those twenty years! I then wax dime-store-philosophic about why Cabernet Sauvignon in a pouch/box/bag is probably a bad idea (attention box/bag/pouch producers: can we get some Barbera or Gamay in that packaging, please?).
Mentioned in this episode:
Imagine a a narrow, unevenly lit, and thoroughly cramped comic book shop near the Delaware / Pennsylvania state borders, inside of which we find a short, lanky kid in a blue-and-white 3/4-sleeve t-shirt fresh from rummaging through the bargain-bin boxes. He’s holding up two “B-grade” comic books – one in each hand, suspended like some kind of very odd but colorfully shrink-wrapped leaves suspended from opposite branches of a geek tree.
“Excuse me… I have a question… which of these comics will be worth more in a few years?”
The (ok, admittedly bearded, large, and in appearance at least completely-fitting-the-cliché) comic shop owner stops what he’s doing, gives the kid a sideways glance, then slides his chair closer and leans over the shop counter. He looks the kid squarely in the eye in a rather… serious way, and answers him.
“A better question,” he says in a voice filled with much more kindness and understanding than would be belied in his stare, “would be ‘which one of these comics would give me more enjoyment.’”
The name of the comic shop and its owner are lost somewhere in my memory (or more likely were stored in brain cells long-since destroyed by alcohol consumption). The kid, of course, was me – many, many (many) moons ago. And that comic shop visit was just about the last time I can remember finding myself in the throes of what I like to call “blind collection mode” – a mode of “appreciation” in which far too many wine aficionados would likely find themselves today, if only they’d take the personal blinders off long enough to realize it.
BCM isn’t caused by wine scores, but it is enabled by them. Because once you put a numerical value on a product or experience, you’re inviting a comparison of worth – and people will define the “worth” part in various ways, even to the point of absurdity…
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I know I’m risking turning this blog into a South American wine coverage outlet recently (and there are at least two more posts yet to come from my recent jaunt there). BUT…
Just in case you’re not yet sick of hearing about the wines and wine-related stories I encountered in Chile and Argentina (or if you’re looking for a sort-of Cliff Notes version), I’ve got a featured article running up at PalatePress.com (with corresponding wine reviews) focusing on the off-the-beaten-path, outside-of-the-bargain-bin gems I found during my S. American travels (and travails).
The article also makes me feel good, mostly because it (hopefully?) resets the counter on keeping the “contributing” part of my “contributing editor” title at Palate Press. Anyway… here’s a run-down of the vinous S. American gems reviewed at PalatePress.com as part of the article:
In the morning fog of Casablanca, a stone’s-throw from Santiago, Chile – provided that you could throw that stone over the enormous mountain range that divides Casablanca and the city, that is – the world feels very, very small. At least, it did to me on my recent S. American jaunt.
The world feels small despite the fact that those fog-covered vineyards (cooled by the effects of the mountains, which dramaticly reduce the amount of sunlight and heat compared to the city) are owned by Emiliana, a company that collectively farms the largest source of estate-grown organic wines in the world. It felt small despite the scale of how “all-in” Emiliana is when it comes to organic viticulture.
Part of the cozy feel comes from Emiliana’s Casablanca estate itself: home to wandering birds (especially the chickens, who eat the larvae of what are locally called “burrito spiders” but I took to be mites, who can damage vine roots), and alpaca (whose wool is sold by the vineyard workers). Part of the feel also comes from how the workers are treated here – they are trained and then help manufacture olive oils, hats, and various other native crafts that are sold in the off-season to help maintain their income when not working the vineyards (many of them also have named plots in the organic gardens near the vineyards, which helps supply them with healthy food).
But mostly the world felt small to me in Emiliana because they kept talking about Biodynamics, a topic that got very hot recently here on the virtual pages of 1WD. And they kept calling it… wait for it… the “science of Biodynamics.”
I can feel the collective shoulder-tightening ire of the wine geeks reading that last sentence.
And where did Emiliana get the BioD bug? From a visit by consulting winemaker Álvaro Espinoza Durán to Sonoma’s Benziger, where I visited in the not-too-distant past, and talked BioD with head honcho and BioD cheerleader Mike Benziger – and then interviewed BioD viticultural consultant Alan York (whose clients include Benziger and rocker Sting) as part of a more in-depth pro/con BioD debate.
And to further the far-away-but-close-to-home experience, I found the vinous results of this Biodynamic work to be pretty similar to those I’ve encountered elsewhere in the wine world… namely, inconsistent…
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