Because I’m perpetually behind in all aspects of my life, I now find myself spending time that I don’t have perusing productivity websites looking for ways to get time “back.” So far, I’m (at best) breaking even in terms of getting back the time I spend perusing productivity websites.
One of the cardinal sins of productivity these days is multitasking, which is almost universally derided as the enemy of true efficacy. So, it should come as no surprise to anyone that knows me well when I tell you that I resorted to multitasking in order to get through a backlog of wine and wine product samples to review.
What you might call shiftless otioseness, I call adding value.
So, I used a product sample to open a wine sample, and poured that wine sample through another product sample (into a glass that I purchased myself, so that part won’t get reviewed – I do have some limit on the number of freebies to be strung together (apparently, that limit is three).
The result – a review of the True Utility Twistick, the massive 2006 Luce Della Vite red, and the Vinturi Wine Aerator (yeah, I know – I’m the last wine guy alive to try the Vinturi). I had fun, but didn’t get to the semi-orgasmic status suggested by the image on the back of one of the products (see inset pic).
Man, I’m already tired and I haven’t even gotten into any details yet. Can you just come back tomorrow? No? Fine, let’s get started…
Read the rest of this stuff »
In the latest 1WineDude video installment, I test out a sample of wine racks from GrottoCellars.com, act like an immature goofball, impose my will onto an unsuspecting Roomba robot vacuum cleaner at high video speeds, and tweak out my back.
Just another day at the office!
Given its name, you’d expect the “invisibles collection” – a new line of glassware from crystal makers Ravenscroft, to be light, and probably thin.
You’d be right of course, based on the stemware sample that they sent to me recently.
What you might not expect, though, is the effect that the “Invisibles” glass has on the wine within it – at least, I wasn’t expecting the surprising effect that I experienced.
More on that in a minute (or two). First, I want to cover the aesthetics of the glass itself – both good and bad.
The particular sample I received was one of Ravenscroft’s Invisibles Chianti/Riesling glasses, which they recommend for use when drinking “Beaujolais, Carignan, Chianti, Cotes du Roussillon, Dolcetto, Montepulciano, Primitivo, Red Zinfandel, Sangiovese and Teroldego.” Oddly, Riesling isn’t mentioned in the list, but since it’s in the name of the model line, it’s the wine I used to test it out.
The first thing you notice is that the glass is very light and is quite thin, and it feels very well-balanced when you’re holding it by the stem and it has a standard 1/3-full pour in it. Despite the light weight, it doesn’t feel at all flimsy. Over-pouring does, however, make the glass feel unbalanced in your hand, which I suppose is a reasonable trade-off given the light weight (you shouldn’t be over-pouring anyway, you lush!).
The Invisibles line are hand-made and lead-free, and my sample glass had subtle but noticeable flaws of air bubbles in the base and at the very bottom of the stem, and the base didn’t sit perfectly flat on a smooth level table surface. I’m not a glass snob (and I really dug the overall tulip-shaped design), but if you’re coughing up over $40 for a set of stemware you’d probably be within rights to send back the glass for a replacement if it had the same issues as my sample, even if it’s blown by hand.
Ok, so after all of these aesthetic cavils, what about what the glass does to the wine?…
Read the rest of this stuff »