Posts Filed Under on the road
Is there a new pecking order for cult Napa Cabs?
Well, the case could certainly be made after this past Saturday’s Premiere Napa Valley: the part-auction, part-networking-event, part-total-insanity in which small, selected barrels/lots from some of Napa’s most celebrated wine producers are auctioned off to collectors, buyers and importers, as special, once-in-a-lifetime future bottlings. The idea is that those wines are unique to each winning bidder, as the small lots from each producer are sold in their entirety to the winning bidder for that lot (I attended on the heels of the 2011 Pro Wine Writers Symposium).
Last year’s auction started off a little grim due to the down economy. The atmosphere was a little more convivial this year and when the biddings kicked off, the auction room was packed and the excitement, to my eyes and ears anyway, was more palpable. But when a Japanese importer got into a friendly-but-intense bidding battle over Scarecrow’s 5-case 2011 Premiere lot, the festivities took on the air of a rock concert, with cheering, clapping and smiles. No dancing or head-banging, though.
The winning bid by the Japanese importer was $125,000 – roughly $2,000 per bottle of Scarecrow’s stuff on offer that day.
We may just have a new King of cult Napa Cabs, and a renewed focus on Scarecrow’s winemaker Celia Welch – not only was the $125K the highest bid of the day for any of the 200 auction lots on offer, it was the highest winning bid in the history of the Premiere Napa Valley auction.
Will that Japanese importer ever break even on this weekend’s historic transaction? Probably not, at least not when it comes to recovering the investment on that particular wine. BUT… very likely the cache factor will send more business their way, so it seems a smart move commercially.
Is the news good for CA wine? Probably – if there were a better indication of the economy for high-end wine recovering, I’ve yet to see it. I did hear grumbling on the auction floor by other producers that the historic bid was more fanfare and marketing over substance, but there were plenty of people raving about the quality of the Scarecrow lot wine, and I think any Napa Cab producer needs to see the forest through the trees here – I can’t think of any way in which this won’t benefit the recovering industry here, generally-speaking.
More to come on all of this later in the week – including my notes on some of the other auction lot wines, and video of the history-making gavel being slammed on that Scarecrow auction (for now, you’ll have to settle for my crappy cell phone picture of the winning moment from the “results board”).
What do YOU think? Is Scarecrow’s record-breaking success a boon for Napa Cab.? or is it a score-whoring setback for fine wine at affordable prices? Shout it out in the comments!
The words “Vinho Verde” conjure up a particular image in the minds of wine lovers: usually that of a tall green bottle of spritzy, refreshing and (usually very) inexpensive Portuguese white wine that rarely speaks to the soul but sure as hell speaks to a parched throat on a hot Summer’s day. It’s the kind of wine you buy by the case (and with some very good examples to be found well under $10 a bottle, you can afford it), toss into a cooler, and lug out for hot, sunny day picnics.
In essence, Vinho Verde can have a soft spot in the hearts of wine geeks (this one included), specifically because they’re wines for imbibing and not wines for contemplating.
Just across the border from Portugal’s Vinho Verde region – in Spain – however, you will find whites made from the same varieties (Verdehlo, Loureiro, etc.), made in similar climates, but that cost several times the price as a typical Vinho Verde. The message? The Spanish versions of wines from those grapes are just more… graves than their Portuguese counterparts.
It’s a situation that’s often left wine geeks like me wondering why the Portuguese don’t get a bit more serious themselves when it comes to Vinho Verde. Nothing against simple Vinho Verde of course (in fact I’d personally be pretty pissed off if those inexpensive quaffers dropped out of the marketplace), but why not add a few bottlings that take Alvarinho or Lourerio to a more thought-provoking level?
Why not get all graves on us?
Turns out that finding serious Vinho Verde is not a question of Portuguese desire or capability, but of production and distribution.
Because Vinho Verde is, in fact, trying to raise the profile of their wines to heights lofty enough to match the vines that grow up (and up, and up) the high trellises that dot the area (actually, the vines can be found growing up just about anything in Vinho Verde, the better to protect them from mold and mildew in the wet weather). And it’s not just still whites that are in their crosshairs – they’re also targeting reds and sparklers (of both color persuasions) – and if the wines of Afros are any indication, they’re on to something…
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No matter how far one travels in the wine world, there is no respite from the rampant abuse of the 100-point wine rating system.
The harsh reality of this fact was driven home to me while visiting the (relatively new, at least when it comes to their modern table wines) Cima Corgo producer Quinta Nova de Nossa Senhora do Carmo during my recent sojourn to Portuguese wine country (while the vineyards have been long-standing and the location making wine since the mid 1700s, the modern winery was built in April 2003).
Quinta Nova’s rather long name is the odd result of a merger of sorts; from the QuintaNova.com website:
“The name ‘Quinta Nova’ (meaning new farm) was the name given to the new Quinta after the two Quintas were joined together. Nossa Senhora do Carmo is the patron saint of the seventeenth century chapel on the margin of the Douro River. In this particularly dangerous bend of the river, the crew of the Rabelo boats would stop at the chapel to beg protection from their patron saint before carrying on down the river.”
In their efforts to get their table wines a bit of market share outside of their Portuguese home base, it seems that Quinta Nova could use some assistance from their canonized namesake – because the abuse of the 100 point system, which has led to what have to be some of the laziest business practices in modern history, is making their journey into the world wine market a treacherous one indeed…
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The first thing that you need to know about the recently-awarded Top 10 Touriga Nacional wines from Portugal is that there area actually 12 of them.
Such is the strangeness of Portuguese wine politics that a contest selecting the top ten single-varietal bottlings of Touriga Nacional – the grape on which Portugal’s red table wine future seems to be staked (according to the focus attended to it at the 2010 Wines of Portugal International Conference in Porto) couldn’t actually stick to the rules of its namesake.
The Top 10 TNs were winnowed down from a list of thirty TN bottlings selected by ViniPortugal (the group who organized the conference and who are charged with promoting Portuguese wines internationally, who got the list down from 80 submitted samples) through a panel of tasters that included MWs Jancis Robinson, Doug Frost and Mary Ewing-Mulligan (among others). The 12 winners of the 10 were then presented at a gala dinner event at the stunning Palácio da Bolsa in Porto, following Day One of the conference.
While the dinner and surroundings at the Palácio da Bolsa were both stunning, I wouldn’t use the same word to describe the vast majority of the Touriga Nacional wines that I tasted…
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