If you take a map of the Bordeaux winemaking region and flip it upside down, it becomes a (more-or-less) mirror-image of the Delaware Bay area that houses the New Jersey’s Outer Coastal Plain (OCP) AVA.

Yes, that would be South Jersey.

Yes, they make wine there.

Better wine than you might at first imagine, actually.

Of course, the inverted mirror-image likeness is about as far as the comparison between South Jersey and Bordeaux can go – after that, you have (very) different soils, (wildly) different average temperatures, and (incredibly) different winemaking histories.  But the point, which was being made to me by OCP winemaker and Amalthea Cellars owner Louis Caracciolo, was pretty clear: if you have a body of water to help mitigate the climate, why not try to make fine wines?  Even if it is in Jersey.

I recently had the pleasure of visiting Amalthea with fellow bloggers John and Lisa Howard-Fusco, who run the fine locavore-styled website Eating In South Jersey.  I was tagging along as the wine guy, helping to assess what they considered to be some of the more promising wines being offered from S. Jersey.  The payoff for me, aside from expanding my wine brain and getting to hang out with John and Lisa, was being introduced by John and Lisa to one of S. Jersey’s best worst-kept secrets – roadside BBQ joints (read John & Lisa’s take on the post-tasting BBQ goodness here).

At the time of the visit, I’d enjoyed enough of Amalthea’s wines to highlight the OCP region over at the Wine Crush Blog as a spot to watch – or, at least, as some evidence that no self-respecting wine geek should scoff at the notion of quality cool-climate, East Coast reds.

Which isn’t to say that all of the Amalthea whites are bad, or that all of the reds were great.  But it is to say that I’m not sure if Amalthea’s Louis Caracciolo is a genius, or a nut-case…

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Hidden Ridge Vineyard is technically in Sonoma County, though it’s a stone’s throw from Pride Mountain Winery and is pretty close to Napa, as the crow flies.

But in order to actually get to Hidden Ridge’s insanely, almost Mosel-esque steep vineyards in any reasonable amount of time, you’d need to travel as the crow flies.  As in, by helicopter (not that I’ve seen any crows flying helicopters… but it could happen, right?).  Or, you can do what I did on a recent press trip, which is visit Hidden Ridge Vineyards by way of Lynn Hofacket’s four-wheel-drive truck.

Which is to say, you can be tossed around like a rag doll in the back seat of Lynn Hofacket’s four-wheel-drive truck while traversing the rocky, twisting and winding “roads” that lead you to the vineyard owned by Lynn & Casidy Ward.  I’d love to provide directions, but I’m pretty sure my memory of the trip was compromised by the multiple concussions I endured during the drive.

The vineyards at Hidden Ridge might be elevated (some as high as 1700 feet), but the winemaking approach of consulting winemakers Marco DiGiulio and Timothy Milos is fairly down to earth.  Several years ago, Lynn was advised to “throw that damn thing away” when he tried to produce a refractometer in the vineyard to measure grape ripeness.  Now, he and the winemaking team simply taste the grapes to determine the best time to pick.  “Brix aren’t measured until the wine is in the tank” Timothy told me when we toured the ridiculously steep (on up to 55 degree slopes) rows of vines on the Hidden Ridge property.

Lynn is fond of telling stories, most of which are about California wine industry types and aren’t really fit for “printing” here, but the most interesting story when it comes to Hidden Ridge, for me, is the wine itself – most notably, it’s price.  Or I should say, its prices…

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Bart Araujo is an intense man.

It’s obvious when you meet him, if you’re paying enough attention.  And you’d have plenty of opportunity to pay attention during a visit to his Araujo estate, which for me began not in the vineyard, but in the winery’s offices.  We were standing in front of empty bottles of some of the best wines that this Calistoga property – the Eisele vineyard – has ever produced (some of which were made in basements during the `70s and `80s by dedicated hobbyists, and are obscure enough bottlings that you’ve likely never heard of them, even if you consider yourself a fervent wine geek.

Bart gave the same treatment to Jon Bonne recently, so I’m pretty sure that the brief history lesson in the final products from Eisele vineyard is S.O.P. for visiting press at Araujo.

The message?  Context is everything.

One might, at first meeting, take Bart to be a bit too serious, which would be slightly off-the-mark.  He jokes (albeit dryly).  He smiles.  He offers his time generously.  But he is definitely… focused.  “You have to reach for perfection,” he told me.  “Of course, you’ll never quite achieve it, but aiming lower means sacrificing something.  Otherwise, you might as well be making Coca-Cola.” 

Given his obvious pride in the history of Araujo, including its wines and the heritage of its impeccably maintained Calistoga vineyard, one might also mistake Bart Araujo as smug.  While his demeanor has been described by one Calistoga wine insider as possessing a good deal of the “Yes, I did” factor, that too is misleading – it would be more accurate to say that Bart Araujo’s demeanor reflects his knowledge of what the Eisele vineyard is capable of producing when it comes to fine wine.  Which is to say, some of the best wines produced in all of the Napa Valley – putting them in the running for some of the best wines in the world.

“Yes, It did” is what Bart’s demeanor is actually saying.

Why are we spending so much time on Araujo’s proprietor?  Because in this case, context really is everything, and to understand Araujo’s wines, you need to get inside Bart Araujo’s head, just a little.  He is far from a distant figure of a landlord: he still helps to make the call on the final blend, and is familiar with even intimate details about what is happening in their biodynamic vineyards.  Saying that Bart is involved in the production of Araujo’s wines is a bit like saying that Argentinosaurus was a slightly oversized dinosaur.

Or, put another way, it’s like saying that it was mildly surprising to the Araujo team when their 2007 estate Cabernet Sauvignon was given a 90-92 rating in The Wine Advocate…

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What do you get when you gather five young, “next-generation” Napa vintners around a table and talk shop?  Besides “buzzed on some really good juice,” I mean?

Essentially, that’s the question I was hoping to answer when I worked with the Napa Valley Vintner’s Association to set-up a round-table discussion with some of Napa’s best next-generation family winemakers, hosted at the stunning Viader Vineyards property on Howell Mountain.  I’ve had the opportunity to interview some of the next-gen Napa set before (see previous one-on-one’s with Hailey Trefethen and Helen Buehler), but until last week I’d never taken a deep dive into the unique spin that the next-generation has been putting on Napa’s family-run wineries and their wines.

As it turns out, I visited only family-run Napa wine operations during my latest Napa jaunt, and the most obvious common thread tying them together were wines of high-quality and often stunning vitality.  Acid is back in fashion, and so is balance – and for the most part, Napa’s next-gen set are making wines that they themselves enjoy drinking.

Included in our roundtable were Florencia Palmaz (Palmaz Vineyards), Alan Viader (Viader Vineyards & Winery), Judd Finkelstein (Judd’s Hill), Andy Schweiger (Schweiger Vineyards) and Elizabeth Marston (Marston Family Vineyard).  We tasted through several of the recent white and red releases, and talked wine scores, winemaking styles, savvy wine consumers, music, social media, and which wine critics they’d most like kick in the crotch.

Two-parter video (1WineDude TV Episode 16 and Episode 17) recapping the roundtable is after the jump.  Enjoy!…

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