We’ve got a brand new episode in my ongoing Furmint Adventures series, this time exploring the modern-take-on-tradition that is Holdvölgy Winery.
That modern take on well-proven styles isn’t just part of the winemaking; it’s literally built into the winery operation itself, as you’ll clearly see from the video that the FurmintUSA folks have expertly put together (what you won’t see are the outtakes, in which we explored the massive cellar system at Holdvölgy, and filmed several takes of me running up and down long, steep, narrow flights of stairs… I swear that I will enact my revenge on the film crew in some way for this…). You will also get a glimpse at what might be one of the coolest label designs in the business right now.
Just in case you’re not quite totally sick of me yet, my latest feature for Palate Press was recently published, with the focus (words and photos) on the unsung red grape variety of Piedmont: Ruchè (I traveled the area last year as a media guest).
Actually, it’s more correct to state that my article (one of two at Palate Press that highlight Ruchè) focuses on the people behind the resurgence of that once-all-but-lost grape variety.
Bricco views of Ruchè country. I get this kind of stuff all of the time. Yet another reason to hate me!
And a colorful cast of characters those people are; not surprising, I suppose, given the nature and the story of the variety itself. The Palate Press feature profiles the main vintners behind four of the driving Ruchè forces in the region: Crivelli, Ferraris, Pierfrancesco Gatto, and Garrone.
Last week, my latest for Fix.com was published, entitled Wines at Chilly Extremes. Just in time for Winter, which in my neck of the woods has been mild enough in general to make me want to instantly slap global warning deniers.
The article is an alternate take on the “cool climate wines” theme, in which we highlight not grape varieties grown for fine wine in cooler regions, but the wine world’s more extreme cooler regions themselves.
As you’ll see from the vid published earlier this week’s, I recently had the pleasure of going back to Hungary, primarily to engage in Phase 2 of the FurmintUSA promotional program, filming a new set of videos for the Furmint Adventures series.
That’s always fun, because the wines are largely excellent, the scenery settings beautiful, the producers amicable, and the crew totally professional. And it gave me a chance to eat at pretty much every restaurant in Tokaj (again).
This time, however, I was also able to take part in a media tour, tagging along with Master Somm’s Peter Granoff and Scott Harper, Balzac Communications’ Paul Wagner, and Ferry Plaza Wine Merchant’s Debbie Zachareas. Great travel companions all, and (an added bonus) people who aren’t afraid to share their deeply-educated wine opinions (I fit right in, unsurprisingly). Photog evidence provided below after the jump.
In going back to Hungary, it was in the latter capacity that I got to get all deep-thoughts-by-Jack-Handy on the future of dry Furmint wines. Which began one evening when I was thinking about the Fermi Paradox (don’t worry, it’ll all make some sort of sense in a few minutes)…
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