Posts Filed Under book reviews
I like wine (duh). I also favor, and am often drawn to, personalities that are high-energy, engaging or highly-knowledgeable about their fields of expertise.
No surprise, then, that I consider Mark Oldman one of the most dynamic – and one of the best – wine educators in the world, since he’s got it going on all three fronts.
Most folks out there will recognize Mark’s face as the lead judge from the PBS reality-tv series The Winemakers, or will recall his name as the guy who makes the wine picks for the 15+ million readers of Everyday with Rachael Ray magazine. But I recognize Mark as the guy who wrote the beginner’s wine book that I’ve recommended more than any other wine publication – Oldman’s Guide To Outsmarting Wine. My standard line about Mark’s first book for years has been, "this is the one to try first for anyone beginning to get ‘into’ wine; it’s the book I wish I’d had at my side when I was first starting out as a wine buff." In other words, I thought it was an instance classic.
Outsmarting is still largely unmatched for its combination of verve, intelligence and accessibility – a lot like Mark himself, as you’ll quickly learn from our interview below. Mark has a new book on the shelves (I received a review copy) – Oldman’s Brave New World of Wine – and it’s geared towards the Intermediate stage of one’s vinous journey. In the pages of Brave New World of Wine, Mark offers up wine recommendations slightly off the beaten path, meant to expand your wine knowledge and delight without expending your bank account. For the most part, the new book is another stellar achievement for Mark, and more often than not I found myself nodding along with his recommendations and witty-but-wise takes on lesser-known varieties (turns out we’re both nuts for Nero d’Avola, ravenous for Rosé, and on a tear for Torrontés).
Mark took some time out of his busy book tour schedule to answer a few questions about his new book, the next season of The Winemakers, and how he got started inthe wine biz. Turns out that Mark also shares my affinity for the music of a certain long-standing Canadian power rock trio (as if I needed more reasons to like the guy at this point).
Before this intro. turns into another version of "I Love You, Man," I’ll turn it over to the interview…
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This week, we’re giving away a hardcover copy of Todd Kliman’s excellent The Wild Vine: A Forgotten Grape and the Untold Story of American Wine (of which I received more than one sample copy) to one lucky commenter (that could be YOU).
I should start by saying that The Wild Vine is everything that you’d want out of a good wine book; better stated, it’s everything that you’d want out of a good book, period.
There are compelling characters. There is a stellar narrative voice. There’s an underdog story (a few, actually, interwoven) that make you care. There is conflict, perseverance, and in some ways, triumph.
I’m just not entirely convinced that the story needed to be told – at least, part of it, anyway. I’m glad it was told – and in such gloriously talented fashion; I’m just not sure I “get” the importance of the tale, mostly because the heart of the story in The Wild Vine is the near total disappearance of one of America’s most seemingly promising, and at one time certainly most successful – native hybrids, the Norton.
The book takes us on tangents as wildly diverting as the un-pruned tendrils of a Norton vine: from the early 1800s near-suicidal despair of Dr. Daniel Norton (who by all reasonable accounts appears to be the originator of the Norton grape that bears his name) to the crowning of an American Norton as one of the world’s greatest wines in a late 1800s Austrian wine exhibition, to the near singly-handed modern resurgence of the Norton grape in its spiritual and genetic home in Virginia at the dedicated hands of Chrysalis Vineyards transsexual owner, Jenni McCloud.
As you have probably discerned, The Wild Vine is not without (major) drama. And while some might bristle at Kliman’s extensive use of fictional historical narrative to get inside the heads of the book’s decidedly non-fictional characters, and others might give up on the extended storyline (Kliman literally waits until halfway through the book before posing the question of why the Norton practically went extinct), those who stick with The Wild Vine all the way through will be well-rewarded.
There’s just a part of me – the part that’s tasted some nasty versions of wine made from Norton grapes – that wonders if the grape should have been saved.
(for details on how to win a copy of the book, read on…)
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I have uncovered potentially serious evidence that could possibly refute the recent scientific evidence suggesting that drinking wine makes you smarter.
Specifically, I offer my recent experience reading Nicholas Joly’s essay-like treatise on the hot-potato topic of Biodynamic viticulture, Biodynamic Wine, Demystified
. If this is the demystified version, I’d hate to see it mystified.
I received Biodynamic Wine, Demystified as a gift, of sorts, from the lovely (I know it doesn’t sound particularly manly, but he is a lovely guy) Mike Benziger after a recent visit to his family’s gorgeous biodynamically-farmed Sonoma wine estate.
Frequent 1WineDude.com readers will recall that some of Mike’s comments in my video interview with him caused a bit of a stir and sparked lively comments-section discussion on the topic of soil profiles and biodynamics generally. Those discussions mirrored, in a way, the current love/hate tête-à-tête – ok, and the occasional heated exchange of invective barbs – between biodynamics’ supporters and detractors.
Supports generally describe Biodynamics as having favorable impacts on the vineyard, its grapes, and the resulting wine. for example, Mike Benziger, from the comments to our interview, speaking about why Benziger employ soil analysis and biodynamic farming:
“Commercially farmed soils around the world have become biologically very similar. The use of commercial fertilizers and pesticides over the last 50+ years, combined with aggressive cultivation has homogenized much of the soil life in the topsoils worldwide. Artificial inputs reduce or terminate soil microbiology and thus eliminate points of differentiation from site to site… Vines that grow only in the topsoil that is healthy or not, usually only express the varietal character and don’t express the sense of place that is associated with soils. When commercial fertilizers are overused, there’s no impetus for roots to stretch down deep, because the snack bar is right on top in the topsoil. To express a more complete sense of place, vines need to have deep roots that feed deep down into the regolith and parent material.”
And the counterpoint, from the comments of that same post, from an anonymous commenter who claims to also be a winemaker:
“No doubt that BD has a tremendous feel-good quality that prompts a certain amount of rationalizing. The problem I have with BD is that it is not benign. It makes claims of superiority without real evidence and presents a defense of “there are some things that science just can’t reveal” as a blanket retort. It’s disingenuous and bad for society in general… There are lots of us that make rational decisions about how to do what we do in the vineyard or cellar. But BD says that it doesn’t matter. That all the science that has served us well in the past, in any aspect of life, is wrong. And that rationality is wrong because there’s a way of looking at the universe to reveal a truer truth. You and I cannot see it, but someone can – he’s a clairvoyant named Rudolf Steiner… The wine industry is enough of a dinosaur already, we certainly don’t need a fairy tale to impede real progress. BD exists only in microcosm. Excess wealth and labor usually do produce good results.”
After reading Biodynamic Wine, Demystified, I’m no closer to understanding which viewpoint is right than I was before I’d even heard of the book. Uh-oh…
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After my review last week of the newly-released book by Astrid Fobelets, Jurgen Lijcops, The Most Beautiful Wine Cellars In The World, I received requests (one in the comments, and a few more via email) for some pictures from that haughty tome. After all, if you’re gonna drop upwards of $60 on a coffee table book, you want to know a bit about what you’re in for (well, a bit more than me telling you that it’s very pretty, anyway).
I’m happy to report that I received permission from the publisher, VdH Books, to share a few images with you, which I’ve watermarked and reduced in size from the hi-res to reduce the temptation of stealing them (not that any of you would do that, mind you, we’re just protecting the world from those thugs who might come and snatch them up after a Google image search…).
Anyway, five shots are included below, which are (in order of appearance): Château Neercanne (Netherlands), Radisson SAS Wine Tower (London), Palais Coburg (Vienna), Weingut Brundlmayer (Austria) and the imposing Marques de Riscal (Spain).
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