I have a confession to make. I hate the word “freedom.”
Rather, I hate the misuse of the word freedom; because, at the risk of sounding like an unpatriotic American, I’ve noticed that most of the time people use “freedom” when they really mean “liberty” (the latter of which, unlike the former, constitutes non-contradictory inherent states of being and is actually the idea most people have in mind when they talk about the principles upon which the USA was founded). Of course, I’m still red-blooded enough of an American to call myself “American” and laugh when the Canadians also call themselves “American” (Canadian: “Where are you from, eh?” Me: “I’m an American.” Canadian: “Well, I’m an American, too – a North American.” Me: “Awww… that is soooo cute!”).
Anyway, today I officially wrap up coverage of my two-week Australia jaunt earlier this year as a guest of Wines of Australia, recounting a visit to what must be one of the wine world’s most special places: what’s believed the oldest surviving shiraz vineyard in the world, first planted in 1843 by Christian Auricht, who emigrated his family to South Australia to escape religious persecution in Prussia.
And in that sense, the name of Aubricht’s 3.5 acre alluvial loam, red clay, limestone and ironstone Tanunda vineyard – now tended by Barossa producer Langmeil – is not only poignant but also apt (and, I’d add, technically correct!): The Freedom 1843 Shiraz Vineyard.
The wine produced from it shares the same name, and it just might reinvigorate your faith in Southern Hemisphere Shiraz from the persecution of overly-extracted, soda-pop, wanna-be Shiraz plonk…
Read the rest of this stuff »
Last week, I made a foray into a (sort of) non-wine related piece of writing for Playboy.com’s Nightlife section, contributing to what they call the “1% Travel Guide.”
The idea behind that guide is to feature travel destinations so remote, or so extreme, or so exclusive, or so expensive (or some combination of the four) that 99% of us will likely never get to experience them.
Some of us get to piggy-back on that world, though. We usually go by the title of “winemaker” or “wine media,” and I fall into the latter category. Which means that occasionally I get hosted in surroundings that are ridiculously beautiful and/or ridiculously expensive, because I’m not fitting most/any of the bill myself. When I visited Napa as a guest of C. Milan Communications earlier this year, that’s precisely where I found myself, so I pitched the idea to Playboy about giving my hotel at that time – the Poetry Inn, owned by Cliff Lede (yes, that Cliff Lede, whose Stags Leap wine facility is visible from the Inn’s hillside perch, so this is actually a little bit wine-related) – a possible feature in the 1% section.
Since I got paid for the Playboy.com piece, I can now afford what I’d calculate to be a few minutes stay back in the Poetry Inn’s suite…
Read the rest of this stuff »
In this episode of 1WineDude TV, I talk (on location!) with with Alexandra Manousakis, whose family makes wine from Rhone varieties on the Greek island of Crete. Aside from prettying up things here on 1WDTV, Alexandra gives us an insider’s take on Crete winemaking history, along with her insights on the challenges facing Cretan wine on the international stage. Yes, the cicadas are annoying (believe me, I removed 90% of their noisy asses from the video already!); get over it, and enjoy…
1WineDude TV Episode 52: The Challenges (and Ironies!) of the Modern Crete Wine Biz